REVIEW: “Daughter” by Will Reierson

Review of Will Reierson, “Daughter”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 249-256. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The title draws focus to the daughter in the story, but from the start it is Mary’s father, Neil, the narrator, who attracts my attention — and not for positive reasons. He is willing to ignore the fears of his wife, Cáit, and sacrifice the safety of his family simply to prove himself in the face of a dare. Oh, he has his own fears — but his fears of the fair folk pale in comparison to the more legitimate fears of his wife that they will struggle to survive the winter in an abandoned homestead. Throughout the story, my biggest impression is that Neil is both superstitious and a bit dim, and the consequences of both these things for his family, and especially his daughter, are real and serious. It makes it hard for me to find him sympathetic, in that basically that everything that happens to Mary is his fault, and he could have prevented it, at many different steps, and he refused to do so. That he eventually does all he can to rescue Mary in the end does not make him the hero of this story. It only reinforces that villainy comes in many different guises.

(In case anyone was wondering (and I doubt anyone was), Cáit is not a plausible nickname of Caitilín in the middle of the 18th century. Details matter. It’s worth doing the research.)

Sara L. Uckelman1 Comment

REVIEW: “Robbie and the Birds” by A. R. Collins

Review of A. R. Collins, “Robbie and the Birds”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 182-185. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

We’ve all read the ghost stories, read all the horror movies. We, like the narrator, all “know perfectly well that people who casually moved into haunted houses would always end up regretting it” (183). So reflects the narrator after she moves into a new house only to find dead birds upon her doorstep every morning, their throats broken or cut. Sometimes, though, the ghosts haunt not the house but the people who live in it.

Maybe it’s because I’m a parent myself, but I found this story of child possession exceptionally creepy. Thankfully (from my point of view), this creepiness was offset by a happy ending.

Sara L. Uckelman1 Comment

REVIEW: “Of Anger and Beauty” by Stephen R. Smith

Review of Stephen R. Smith, “Of Anger and Beauty”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 179-181. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Smith’s story is short, and I can see the anger in it. I don’t like reading stories about human trafficking, especially of young girls, but if I have to read them, I want them to be stories of vengeance and come-uppance. This one is, and it ends on a happy note. But while the anger is clear, the beauty is harder to find.

Sara L. Uckelman1 Comment

REVIEW: “A Helping Hand” by Samantha Trisken

Review of Samantha Trisken, “A Helping Hand”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 238-244. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

I feel pretty strongly that every story needs to have a purpose, a reason why it has to be told, why this story, rather than another story. Sometimes that purpose is what the story itself has to say, the way in which the world is improved because of something in the story itself; sometimes it is simply that the story gives pleasure to those who read it; and sometimes the purpose is simply that the author is better off for having written it than they would have been had they not.

Given this, everything I read I read with a pervasive underlying question “Why this story?” I thought that a lot while reading the opening of Trisken’s tale, in which a young girl, Tessa, escapes a would-be abductor only to witness his murder.

The importance of that scene is that it introduces us to Dillon, and the centerpoint of the story is Tessa’s relationship with Dillon. It is engrossing to see the complexities of this relationship and how it develops, but the other consequences of the opening — the trauma that the witness of a murder has to have caused — seem nowhere taken up, and I found this made it hard for me to fully engage with the story. The end brings no further resolution: Why this story? I don’t know. Maybe someone else reading it coming with a different background and different experiences might be able to answer that question.

Sara L. Uckelman1 Comment

REVIEW: “Picture Perfect” by Lori Tiron-Pandit

Review of Lori Tiron-Pandit, “Picture Perfect”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 227-236. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Do you sometimes feel like motherhood is just a huge trap? Like you might have made a mistake, but now there is no going back? And you’re locked into this life with a child, and as much as you’d like to escape, you’re just stuck, and there’s no more hope? (227)

This was a scary, scary story, not because it exhibits any of the “scary-story” elements of classic horror, but because it tackles head-on a scary, scary topic, one which is both ordinarily quite taboo but also commonplace in the lives of many women: motherhood regret. Whether it comes in the haze of post-partum depression, or whether it is a one-off thought “Maybe my life would’ve been better if my child(ren) had never been born”, it happens, it’s real, and no one is willing to talk about it. This is where the power of stories come in — it allows us to explore the “what if” without the consequences, to work through how things might have been, both if things had gone worse than they actually did and if they had gone better.

I have a delightful child whom I love very much, who has always been a good sleeper and a good eater, and who was long-awaited, but so many aspects of Larisa’s experiences, and the experiences of the women in her online mothers community, ring true. It’s a glimpse of how things might have gone, but (in my case at least) didn’t, and it’s a scary, scary glimpse.

Goblins and ghosts, zombies and vampires, serial murderers in the dark — none of these scare me. This story did.

Sara L. Uckelman1 Comment

REVIEW: “The Gilded Swan” by Damon L. Wakes

Review of Damon L. Wakes, “The Gilded Swan”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 357-359. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The opening line “Once upon a time” never fails to exercise its power to thrill over me. I love fairy tales. I love the way those words tap into my entire reading history, and allow the story to draw upon decades of internalized expectations. I love the familiarity of fairy tales that is rooted in those expectations. I love it when my expectations are satisfied, when every aspect of the story could have been found in any of the classic fairy tales.

But what I love even more is when those expectations are dashed, and happily ever after turns horribly ever after. This was a delightfully satisfying little fairy horror tale.

Sara L. Uckelman1 Comment

REVIEW: “All the Songs the Little Birds Sing” by T. D. Walker

Review of T. D. Walker, “All the Songs the Little Birds sing”, Luna Station Quarterly 32 (2017): Read online. Reviewed by Sara L. Uckelman.

This story has one of those slippery settings where it could be radically other, radically elsewhere or elsewhen, or it could also be just around the corner, today or tomorrow.

Some stories make it clear what kind of stories they are from the beginning; not this one, not for me at least. And yet, even without having any idea of where it started or where it was going, I kept reading. Walker’s language is tight and precise and allows us a very clear insight into Alice’s head. Alice herself is the sort of main character I’ve found myself looking for more and more lately — someone who is older than me, who has found a sense of herself, who understands how she fits into the world. “Alice was everything, and she wanted to live that way,” Walker tells us. That’s the sort of heroine I aspire to be.

There was a lot left out of this story, the history of how things got to be this way only hinted at. In some stories, these gaps can be frustrating. In this one, I wanted to know more, of course, but I was also satisfied with what I got.

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REVIEW: “Cuddles” by Ariel Ptak

Review of Ariel Ptak, “Cuddles”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 224-226. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Who knows what lies in the depths of the deep dark sea? Well, deep sea survey crews, for one, after all, it’s part of their job to know these things. Most of the time they stick to surveying and studying, but sometimes things go wrong and an animal is injured. That’s how Cuddles, “some sort of cross between squid and octopus, with hallmarks of both but belonging to neither” (224) comes to live at the Seaside Aquarium and Rescue Center, and when his life intersects with Sarita, the narrator’s.

Those who like Cthulhu will probably enjoy this. I did for the most part, right up until the very end when the story commits one of the cardinal sins of 1st-person narration — how does a person narrate their own story after they are dead?

Sara L. Uckelman1 Comment

REVIEW: “The Rocket Farmer” by Julie C. Day

Review of Julie C. Day, “The Rocket Farmer”, Podcastle: 507 — Listen Online. Reviewed by Heather Rose Jones

What raises a story above simply being entertaining to being a “good story” is often the layering in of multiple themes or meanings. On its surface, “The Rocket Farmer” is a fantasy about rocket ships as an agricultural crop: their natural history, the complexities of crop management, the inevitable tragedies of failure. But on a different level, the story concerns the more mundane and eternal struggle of one generation to understand and communicate with another. Sarnai is pulled between the bottomless pit of neediness that is her father’s struggling rocket farm, and the growing suspicion that she has failed to protect her daughter from the lure of the family profession.

The story is told in three voices: Sarnai, her daughter Sophie, and one of the rockets, waiting to fulfil its destiny. The result is a delightfully unexpected and–dare I say heartwarming?–tale of communication failures and eventual success. If the story had focused only on the clever conceit of rocket farming, it would have fallen flat for me, mired in a vast array of technical detail. But as a medium for a story of human interactions, it worked beyond any of my initial expectations.

(Originally published in Interzone #271)

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REVIEW: “Reborn” by Petter Skult

Review of Petter Skult, “Reborn”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 204-207. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Note: If you don’t like spiders, don’t read this story.

This is an unsettling little investigation into the ways in which people can go “crazy”. Seeing God. Seeing things that don’t exist. Seeing things no one else can see. Seeing things that are real and true and are there, but which no one else believes you can see. And when no one else believes you, when everyone else thinks you are already crazy, then sometimes it is the attempts to heal your madness that finally drive you mad.

Sara L. Uckelman1 Comment