REVIEW: “Fandom for Robots” by Vina Jie-Min Prasad

Review of Vina Jie Min Prasad’s, “Fandom for Robots”, Uncanny Magazine Volume, 18 (2017): Read Online. Reviewed by Jodie Baker.

“Fandom for Robots” is a sweet story about a robot finding a friend, and a voice, in the fandom community. It’s often a funny story, and its humour will resonate with anyone who has ever been really into a TV show:

‘Computron feels no emotion towards the animated television show titled Hyperdimension Warp Record (超次元 ワープ レコード). After all, Computron does not have any emotion circuits installed, and is thus constitutionally incapable of experiencing “excitement,” “hatred,” or “frustration.” It is completely impossible for Computron to experience emotions such as “excitement about the seventh episode of HyperWarp,” “hatred of the anime’s short episode length” or “frustration that Friday is so far away.”’

Computron, ‘The only known sentient robot’, resides in the Simak Robotics Museum. While considered a marvel when originally built in 1954, Computron’s design is now regarded as outdated. He is brought out as ‘a quaint artefact’ in the Museum’s Then And Now show, but no one really engages with him as a sentient being.

One day, a girl asks whether Computron has ever watched Hyperdimension Warp Record, and this launches Computron on a journey of discovery about fandom, friendship, and his own life. As Computron learns more about the anime show, and meets bjornruffian (a fellow fan, robot enthusiast, and fandom illustrator) on fanficarchive.org he begins to develop a wider sense of self.

“Fandom for Robots” is a great look at how empowering fanwork can be. In the museum, Computron is told not to talk too much but fandom allows him to have a voice. Computron provides helpful criticism of bjornruffian’s drawings of Cyro; the robot character on the show, and he writes his own fanfic.

Computron is also able to assert his identity through fanwork by helping to shape the robot bodies and storylines that appear in fanfic. Hyperdimension Warp Record gives him a way to process difficult memories. His friendship with bjornruffian gives Computron a reason to make his own decisions, and determine his own path, when he has so far lived quite a passive life. He makes a real connection with bjornruffian, and he ‘goes into sleep mode less’ which sounds a lot like a robot escaping from depression. It’s really lovely to go on this journey of personal development with Computron, and to see fans enjoying his and bjornruffians slash comic collab.

Vina Jie-Min Prasad’s “Fandom for Robots” is perfect for fans of Merc A. Rustard’s “How to Become a Robot in 12 Easy Steps”, Naomi Kritzer’s “Cat Pictures Please”, and Martha Wells All Systems Red. If you like robots, fandom, internet culture, or if you got emotional about that XCDC Mars rover comic, then this is the story for you.

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REVIEW: “The Names of the Sky” by Matthew Claxton

Review of Matthew Claxton, “The Names of the Sky”, Podcastle: 490 — Listen Online. Reviewed by Heather Rose Jones

It may seem odd that the first description that comes to me for a story set in wartime is “lovely” but the language of this one just flowed over me. It hit my exposition sweet spot in laying out the setting with casual description and character interaction, rather than feeling the need to tell the listener where they are and what’s going on. (But I’ll tell you anyway, so the review makes sense.) Zoya, a Russian fighter pilot in WWII has come down in a rural area behind the front and needs to survive, find shelter, and figure out how to get her plane in the air again, in that order. An encounter in a nearly-deserted village leaves her saddled with a responsibility that threatens those goals, but the seemingly senile old woman isn’t what she seems. A familiarity with Russian folklore will aid the listener in keeping up, given the aforementioned oblique approach to exposition. I loved the casually feminist (or maybe woman-centered is a better term) underlayer of the story that grew organically out of the themes and the historic-folklore roots. (Though now I find myself hungry for a story of “Grandma” and her sisters in their youth–and I wonder how much of that reference is based on the original folklore as opposed to being invention.)

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REVIEW: “Silverlace” by David Barber

Review of David Barber, “Silverlace”, Strange Constellations September 2017: Read Online. Reviewed by Kathryn Kania.

Silverlace tells the story of Anna and her daughter Kate. The Arctic Meltwater has frozen the British Isles, creating a desolate landscape of desperation and fear.

The story structure is presented as a series of “Debriefs” though I was a bit unclear on who was talking to the reader and who the reader was a stand in for. I’ll also be honest with you, a few years ago, I fell down the hole in the internet that is the SCP Foundation and because of the format, I sort of expected something similar to the horror and slow unveiling of a chilling technology from this story as that wiki provides. I did not get that out of this story, though the same feeling of unease and slight body horror is present.

The story is fascinating in its own right, however. It describes a technology that allows rich people to literally jump into the bodies of the poor to play killing games with each other. It’s very expensive, very dangerous paintball with bullets at the expense of their ‘proxies’ and when Kate, Anna’s daughter decides to become a proxy, something unexpected happens.

At the end, the POV shifts from third to first person, leaving me a bit confused, though it brings a shudder to my spine to hear from a bitter, hateful Anna directly. The story was an interesting piece that could be a great look at an almost literal interpretation of ‘eat the rich’ with a little tightening up in places to really impact the reader the way a story like this should, but was an enjoyable read overall.

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REVIEW: “Don’t Turn on the Lights” by Cassandra Khaw

Review of Cassandra Khaw, “Don’t Turn on the Lights”, Nightmare Magazine 61: Read Online. Reviewed by Winnie Ramler.

I love stories which examine the act of storytelling itself. Khaw reminds us that the story can still surprise us. All it takes is the shifting of a few details. The core may stay the same, but the the impact changes. Horror as a genre can be particularly formulaic in its approach. Readers may expect certain things- for the story to be told in a certain way. Khaw plays with these expectations as she crafts a discussion about who is telling the story and why.

Sally (if that is her real name) isn’t a protagonist in the strictest sense. Instead she is the lens through which we view the story. Like a cardboard cutout, she is dressed in different plots and motivations as we are asked to question what we think we know to be true.

The casual voice of the narrator lent itself well to the varying story plots. Like a museum tour guide, we are taken on a journey through perspective, and not knowing where you’re going is part of the excitement. This was a super fun spooky read that reminded me just how much I love horror.

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REVIEW: “Dust & Bone” by Michael McGlade

Review of Michael McGlade, “Dust & Bone”, Persistent Visions (4 August 2017). Read online. Reviewed by Essence B. Scott .

Michael McGlade’s “Dust & Bone” was a difficult read; it felt to me that the story was romanticizing impending death and drug use, though the drugs are supernatural. The blurb says that this story about a guy who “lives a hard life on the edges of society and his relationship with his supernatural supplier and love interest Dust is beautiful, poignant, and, as it goes in many love stories, tragic.” I personally did not find this story to be tragic. I felt distant from the characters and their lives. Bone was too clingy to Dust. I understand that Dust is his love interest, but it’s tragic to see Bone feel like he’s nothing without Dust. Is that what love is like? If so, It is not something I’d want.

Having said that, there are some good bits in this story. The beginning, though it feels thin, is decent. Bone is angry and grieving. This story feels retrospective in that it takes us back through the middle-ground of their relationship—before Dust’s death, before her grip (so to speak) on Earth began to weaken when she discovered lumps on her body. Still, though, she will do anything for Bone, and that feels unhealthy to me also. Shouldn’t there be a limit to what you’ll do for a person before you put yourself at risk? I guess this feels unhealthy because I see that I do the same thing in my own life and know it is unhealthy, but still do what I do.

“Dust & Bone” was slow-paced for eight printed pages. The end made everything neatly packaged, but this story felt very thin and heavy on destructive behaviors. I barely highlighted anything on my printed copy because nothing made me curious; McGlade told us everything that happened, as though he was in the room watching. There was no distance.

Overall, this story was not one of Persistent Vision’s best. I hope to read more immersive stories in the future.

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REVIEW: “Pan-Humanism: Hope and Pragmatics” by Jess Barber and Sara Saab

Review of Jess Barber and Sara Saab, “Pan-Humanism: Hope and Pragmatics”, Clarkesworld 132: Read online. Reviewed by Kerstin Hall.

Two people strive to restore a broken Earth, even as their efforts push them apart. Amir and Mani are devoted to renewing toxic cities and waterless countries, and they are devoted to each other. Circumstances encourage them to choose between their purpose and their feelings, in a world which demands pragmaticism.

This story is gentle and romantic and elegant. The characters are nuanced. They grow together and apart and together again, and their relationship serves as both a source of conflict and of comfort.

This story wasn’t necessarily my favourite of the September selection, purely based on personal preference. There was much that I found poignant, and even more that I found clever, but I never felt fully invested. For me, the plot was too dispersed. My impression was of a series of vignettes.

The reader is offered snippets of a post apocalyptic life. We flit from one small triumph to another and nothing ever goes catastrophically wrong. There are small disappointments, but the trajectory of hope is always upwards.

Maybe this one was simply too melancholy for me, even in its ultimate optimism.

 

 

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REVIEW: “Penelope Waits” by Dennis Danvers

Review of Dennis Danvers, “Penelope Waits”, Apex Magazine 101: Read Online. Reviewed by Joanna Z. Weston.

I love a light piece of science fiction, and “Penelope Waits” delivers in spades, from the opening monologue about Penelope and her suitors, through to the most optimistic take on alien abduction I’ve seen in prose.

The main character, Cindy, has a sharp mind, a mediocre job, and a cheating boyfriend. Her cynical narration has just enough bite, without succumbing to jaded apathy. In fact, this is a remarkably hopeful, sweet story. When Ralph reports that he’s been abducted by aliens, she assumes he’s spent the week with another girl. When she discovers the truth, her love of literature (and the textbook from the course she’s taking, having gone back to school to better herself) help her recognize the opportunity to strike off on her own adventure.

Though this is a humorous story, the references to classical literature – The Odyssey is obviously featured, but Dante’s Inferno comes up as well – are well-integrated and really contribute to the story. A sincere belief in the importance of literature flows through the story and gives weight to both the narrator and the narrative. I love that Cindy is defined by her insight into literature, curiosity, and compassion, and not by acts of ninja-level acrobatics, sex-appeal, or daring. She’s a remarkably realistic and sympathetic heroine.

The ending brings a sense of freedom, of possibility and expansiveness that surprised me. I think this is a story I’ll be revisiting in the future, when I’m feeling hopeless and need to rest in a better, brighter version of the world. This is a story that not only made me smile, it left me feeling genuinely hopeful, which is no small feat.

J.Z. Weston1 Comment

REVIEW: “Emshalur’s Hand Stays” by Anaea Lay

Review of Anaea Lay, “Emshalur’s Hand Stays”, Podcastle: 489 — Listen Online. Reviewed by Heather Rose Jones.

The interplay between gods and their mortal worshippers reminded me a bit of Lord Dunsany’s mythic fiction. What responsibility does a god have for his people? And is it possible for devotion to reflect only love and joy when it’s tied so closely to salvation? I thought the gradually unfolding understanding of the narrator’s identity was cleverly done, though I had to work hard to suspend my need to figure things out and found the first half of the story confusing to follow. I can’t say that this story is one of my favorites–it just missed some of the aspects that make a story click for me. But the originality and the subtle worldbuilding were impressive.

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REVIEW: “Blessings Erupt” by Aliya Whiteley

 

Review of Aliya Whiteley’s, “Blessings Erupt”, Interzone #272: Purchase here. Reviewed by Mark Hepworth

A little way into the future, an ecological catastrophe has left us with a society plagued with the after effects of radioactive plastics. Hope seems to be one of a small number of people able to treat the many people who are dying of tumours caused by the ubiquity of these plastics left over from our former world. The style of setting puts me in mind of her “Brushwork” (Giganotosaurus, May 2016), as it focuses on a small, personal element in the middle of a much larger story. Intriguing elements pop up – some sort of eco-religion, a new economic basis – but the focus tightens on Hope.

Hope is not a well person – quite literally, as she takes the sickness into herself while curing others – and this life with a rare gift has left her bitter yet determined. The real meat of the story is in how others treat her – with thanks, and awe, and gratitude, but maybe not as a real person. The people around her want her to feel her sacrifice makes her a good person, but only because they will feel better if a saint is sacrificing herself for them, rather than them taking advantage of a scapegoat to save themselves.

With prose both beautiful and effective, this story leaves you pondering.

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REVIEW: “Najufa” by Ibrahim al-Marashi

Review of Ibrahim al-Marashi, “Najufa”, Iraq+100, edited by Hassan Blasim (Comma Press, 2016): 155-173 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The dominant theme of this story is memory — memory and history — making it a fitting capstone for the entire anthology. Muhammad, the narrator, and his grandfather, Isa, have gone on pilgrimage to Najufa, the city that was once the two separate cities of Najaf and Kufa. It is a pilgrimage that Isa has never made before, but it is the last in a long line of pilgrimages that his ancestors have made. We are told the stories of Hassan in the 1920s; of his son, Mortaza, who was Isa’s grandfather; and of Isa’s father, Ibrahim, who accompanied Mortaza on his final pilgrimage to the shrine of Iman Ali in 2010. Now, while Muhammad is on pilgrimage with his grandfather, Isa, Isa recounts the final pilgrimage of his own grandfather, the stories of all of these men twining and intertwining. “That trip was their story, not yours!” Muhammad tells his grandfather at one point, but what is left unspoken is Muhammad’s story himself. There is a point in the story point where suddenly one is hit the with the realisation that of six generations of men, we are missing one — Muhammad’s father is never named, though once they arrive in Najufa, Isa is continually advising his grandson, “Call your father”.

It is a small point, but it is one that becomes very big at the end. For the majority of it, the story wears its SF genre like veneer. There are droids, synthetic foods, Tau beams, but nothing that is integral to the story itself — to the point where in the notes I took while reading, I was all prepared to say in this review that the story was “just speculative/futuristic, no SF”. But then the very last paragraphs come with a twist that could only occur in an SF story, to kick you in the gut and make you cry.

At the very end, “I stepped outside, and tapped my forehead: ‘Call Dad’,” Muhammad tells the reader, and this final act seems to encapsulate the entire anthology. No one knows where we are going, what the future might hold (whether China will be the rulers of the Middle East; whether there will ever be a “CAKA”, the Christian Assembly of Kansas and Arkansas; whether glucose will become a substance as highly regulated as hard drugs are today); but equally so we can never truly know where we have come from. Yet both our history and our future are integral to who we are, and what we can do. We cannot disregard either if we hope to understand the other.

Sara L. Uckelman1 Comment