Short Reviews of Short SFF
Review of D. A. Straith, “A Year in the Life of the Drowned Wastewater Plant East of Bellmarsh Village,” Flash Fiction Online 135 (December 2024): 27-29 — Purchase here. Reviewed by Sara L. Uckelman.
For a story set in a post-apocalyptic setting, this was surprisingly peaceful and serene, and even almost hopeful. A lovely little gem in this issue!
Review of Tina S. Zhu, “Why I Quit Teaching at the Villain Academy,” Flash Fiction Online 135 (December 2024): 17-19 — Purchase here. Reviewed by Sara L. Uckelman.
Maybe it’s just because I’m an academic at the end of term, but you can totally read the first page of this story replacing “villain academy” with “university” and “villain” with “academic” and it is so, so, depressingly true. Doesn’t get much better on the second page, even if the substitutions no longer really work, because it’s full on climate depression.
Basically, don’t read unless you’re in a mood to get really bummed out!
Review of Malda Marlys, “Bone Birds Fly,” Flash Fiction Online 135 (December 2024): 20-22 — Purchase here. Reviewed by Sara L. Uckelman.
This is a story about living after the end of the world, when everything else is dead and dry and gone, and yet just because we’ve killed the world doesn’t mean that we ourselves aren’t still struggling along in the aftermath. Pretty bleak.
Review of Liz J. Bradley, “A Soft and Silent Glow,” Flash Fiction Online 135 (December 2024): 23-25 — Purchase here. Reviewed by Sara L. Uckelman.
I love it when I get to read an author’s debut story! Bradley’s dystopian future has more than a hint of magic about it — a lovely contrast carefully blended. There’s nothing especially hopeful or happy about the story, but there is something beautiful about it.
Review of Sara Siddiqui Chansarkar, “The Caged Budgerigars,” Flash Fiction Online 135 (December 2024): 8-10 — Purchase here. Reviewed by Sara L. Uckelman.
Content note: Miscarriage, stillbirth, and infertility.
This was a well-put-together story but upon reading it I knew I’d have difficulty reviewing it because it’s not really speculative in any way (FFO has the occasional non-spec story). But I was curious about what the issue’s theme was, to see if understanding how it fit into the theme would reveal something more than what was in the story itself. The theme for this issue is “eco-futures,” and knowing that didn’t actually clue me in any more; this story is very much rooted in the present. So I delved into the editorial to see if I could understand why the editors chose this particular story for this particular theme, and Halsey’s comment piqued my interest: “I went with this portrayal of a woman struggling with her inability to have children because it mirrors the intimacy of another mother’s story within this issue” (p. 6). Guess I’ll have to read that one next!
Review of Rachael K. Jones, “Five Functions of Your Bionosaur,” Small Wonders no. 4 (October 2023): 40-43 — Read online. Reviewed by Sara L. Uckelman.
This story is unutterably sweet and desperately sad, and left me crying in my office.
(First published in Robot Dinosaurs, 2018.)
Review of Jelena Dunato, “Five Easy Hairstyles for Snake-Haired Girls,” Small Wonders no. 4 (October 2023): 10-11 — Read online. Reviewed by Sara L. Uckelman.
This poem was a twist on the standard Medusa story, from her despoilment to her eventual escape and ascension. It had a couple of good lines in it, including: “If you wanted criticism, you’d call your mother,” which is a banger.
Review of Lora Gray, “Sever,” Small Wonders no. 4 (October 2023): 34-38 — Read online. Reviewed by Sara L. Uckelman.
This poem packs a punch, from alien pregnancy to the aftermath of abuse to space travel — it’s a lot.
Review of Eric A. Clayton, “Faith That Builds Worlds,” Small Wonders no. 4 (October 2023): 29-32 — Read online. Reviewed by Sara L. Uckelman.
A space monk, a boundary-pushing kid, a religious ritual gone wrong, and a civilization desperate to rebuild themselves — what’s not to love about this story?
Review of D.A. Xiaolin Spires, “Luminous Glass, Vibrant Seeds”, Clarkesworld Issue 218, November (2024): Read Online. Reviewed by Myra Naik.
Yet another beautiful story of hope! Clarkesworld is really spoiling us readers lately, each and every story making me feel a certain type of way. This one is a beautiful combination of food, agriculture, and glassblowing, amongst other things.
Set sometime in the future, where people have gotten more in touch with their roots and nature. Decentralization and independence is the focus for many humans here, allusions to a past occurrence that created a sort of dystopia. But humans are resilient. And humans have also always appreciated beauty, right from cave drawing times. Beauty in the craggiest mountain and smallest seed. Oh, and a little green-thumbed robot feels the same way, too. Just lovely.
SFF Reviews