REVIEW: “A Few Minutes More” by L. M. Magalas

Review of L. M. Magalas, “A Few Minutes More”, Luna Station Quarterly 28 (2016): Read online. Reviewed by Sara L. Uckelman.

Content note: Suicide.

The premise of this story is simply: Susanna, by committing suicide, has forfeited her right to the remainder of her allotted days, but she is allowed to designate someone else as recipient.

I wouldn’t have ever thought a suicide story could be heartwarming, but this one was. Magalas handled the delicate subject matter with care and sensitivity, exploring the ways in which our actions affect those around us, positively and negatively, in a story full of warmth and hope.

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REVIEW: “Scrap Metal” by Tara Calaby

Review of Tara Calaby, “Scrap Metal”, Luna Station Quarterly 28 (2016): Read online. Reviewed by Sara L. Uckelman.

Content warning:Traumatic injury, death.

It’s always risky opening a story with a character waking up — perhaps even more risky to start not only the first scene but the second scene as well that way!

Mae’s been in a bad car accident, but she is “a very lucky girl”; after all, she’s now kitted out with the best cybernetic prosthetics available. With this, Calaby takes what could’ve been a rather pedestrian premise and threads it with through with the uncomfortable side of Mae’s luck: the way in which wealth rather than need or desert determines who gets the best of care after a traumatic accident, the gaslighting of a patient by their doctor, the fact that her new limbs might not be all they seem on the surface.

Quality SF with a hint of horror towards the end. Nicely done.

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REVIEW: “Satin and Velvet” by R.H. Cloake

Review of R.H. Cloake, “Satin and Velvet”, Beneath Ceaseless Skies, Issue 309 (July 30, 2020): Read online. Reviewed by Richard Lohmeyer.

This is primarily a story about “imposter syndrome” and why so many good, talented people often believe themselves unworthy of success. Greta, the narrator, is the youngest-ever apprentice to a centuries-old master magician. While still an aspiring apprentice she had met and admired Samara, her predescessor. Greta is “plagued,” like Samara before her, by “gasts.” Greta’s are satin; Samara’s were velvet, but all gasts are magical entities that befriend, for no immediately apparent reason, some people and not others. For example, The Master both apprentices serve(d) has never been befriended by gasts and it enrages him.  He vents his anger on each apprentice by refusing to give them lessons for as long as their gasts assist them and not him. Each apprentice learns a different lesson from this experience. One of them commits suicide in despair, while the other has an entirely different experience. This is a brief story but well worth reading, particularly if, like so many others, you’ve ever talked yourself into believing you don’t deserve success. 

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REVIEW: “Keeping the Peace” by Elisabeth R. Adams

Review of Elisabeth R. Adams, “Keeping the Peace”, Analog Science Fiction and Fact July/August (2020): 118–123 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

An alien species of intelligent reptiles is preparing to launch an attack at what is presumably our Solar System. Their intention is to spread to the stars, but only by conquering already populated planets. They’re not interested in other means of colonization. During the launching ceremony, a few who are not happy with the current predicament decide to overthrow the leader and put a stop to the cycle of violence.

What I appreciated the most in “Keeping the Peace” was its pace. The story builds up elegantly to its climax, while also giving a complete picture of what the society in question is like. I always enjoy concise world-building, and Adams does that splendidly here. Not one sentence felt wasted. Little touches like naming characters after star systems or their peculiar ritualistic chants go a long way into defining the alien culture within the story.

However, I was slightly disappointed with the resolution. The main character’s rise to power seemed a little too easy considering how violent and war-mongering their society was. Despite this, “Keeping the Peace” was a joy to read.

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REVIEW: “Man-Fruit” by Clara Kiat

Review of Clara Kiat, “Man-Fruit”, Luna Station Quarterly 28 (2016): Read online. Reviewed by Sara L. Uckelman.

Content note: Abortion, physical abuse, non-consensual sex.

The story opens on the midwife Puring visiting Sisinia, who is “six moons away from giving birth”. But with Puring’s assistance, Sisinia might never give birth at all.

No one other than the mothers-who-won’t-be suspect that Puring is the source of the local abortions; but even more so, no one at all knows the secret behind how Puring does it, or the importance of the man-fruit to her life. Puring’s secret almost turns the story from fantasy into horror, Kiat mixing and balancing equal parts in her construction of the tale.

It’s not often I get a story set in post-Conquest central (or maybe southern; it wasn’t made explicit) America, which seems to me to be a real lack, because that is a setting rife with native fantasy and mythology that I would love to see more of.

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REVIEW: “Ife-Iyoku, the Tale of the Imadeyunuagbon” by Ekpeki Oghenechovwe Donald

Review of Ekpeki Oghenechovwe Donald, “Ife-Iyoku, the Tale of the Imadeyunuagbon”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Content note: Nuclear warfare, possible rape, nonconsensual sex, death, suicide.

The “sacred charge of Obatala” is that all the men and women of Ife-Iyoku be useful, whether through the cultivation of special gifts as see-ers or healers or light weavers, or through the application of themselves to general tasks such as hunting and cooking and childrearing. While all the rest of Afrika has been destroyed by nuclear fall out, Ife-Iyoku stands behind a protective shield, and it is the duty of those who live there to make their community as strong as possible, that they might survive until Obatala returns to save all of Afrika.

But these roles come with definite gender restrictions, with women coming out far the worse. When Ooni Olori receives a message from beyond the shield, life in Ife-Iyoku is threatened by invasion. Those who live there must question the patriarchal structures that have bound their lives and face a future radically different from any they have ever known. I enjoyed watching Imade, one of the main characters, fight back against the gender roles that have constricted her her whole life, and by the end of the story was deeply invested in her and her outcome. A strong and powerful story.

Sara L. Uckelman2 Comments

REVIEW: “Thresher of Men” by Michael Boatman

Review of Michael Boatman, “Thresher of Men”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Content warning: Transphobic and ableist language; death; shooting of Black people by cops; murder; structural racism; rape.

Oooh, this was one uncomfortable story to read, with plenty of places in the first few pages that had me squirming in my seat. The focus of the opening scene is Officer Greg Fitzsimmons, member of Lincolnville P.D. and white. He embodies a lot of what I dislike in contemporary American culture — the ambient level of unconcern for people who are not like him is just gross. This story illustrates the power that a story’s author has over it: If this story had been written by a white person, reading it would have been a very different experience. As it is, what would have looked like callousness and ignorance looks instead like a very incisive criticism of contemporary American society and racial structures. There’s a reason I should feel so damn uncomfortable: Boatman’s depiction of how white people view Black people is not wrong.

But it wasn’t all uncomfortable squirming: At the end of the opening, vengeance in the form of the goddess Kisazi slams into the scene and lights the story up — figuratively and literally — and all the white bastards get the comeuppance they deserve. Thoroughly satisfying.

Sara L. Uckelman1 Comment

REVIEW: “Clanfall: Death of Kings” by Odida Nyabundi

Review of Odida Nyabundi, “Clanfall: Death of Kings”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

This was a glorious, brilliant, wild ride of a story, of warring clans (the Fisi, the Simba, the Chui, the Kobe), of futuristic tech, and of a warrior heroine to shout and cheer on. There’s a lot thrust upon the reader right at the beginning — different names, different people, different types of equipment — and the lines between robot, battlegear, alien, and human are often blurred. But the story is long enough that the onslaught of unknown at the beginning eventually tapers off and the pieces start becoming clearer and fitting together.

I would have liked to see more of Shibuor, heroine and princess of the Simba Clan — she was the one who caught my attention and aroused my sympathy. In the end, it felt like she was primarily a foil for the male characters in the story, robbed of a full chance to exercise her agency, which was disappointing considering how strong and active she started out.

This is only a moderate complaint, though: I still enjoyed this one quite a bit.

Sara L. Uckelman1 Comment

REVIEW: “The Many Lives of an Abiku” by Tobi Ogundiran

Review of Tobi Ogundiran, “The Many Lives of an Abiku”, Beneath Ceaseless Skies, Issue 309 (July 30, 2020). Read online. Reviewed by Richard Lohmeyer.

In this story of birth and rebirth, the narrator manifests physically as a young girl named Sola. However, she is actually an abiku, a spirit child untethered to the real world except through the assistance of a mystic named Baba Seyi. “You have come to your mother three times before and have died before your seventh year. You relish her pain and suffering,” Baba Seyi tells her. Though Sola denies this initially, much of the story involves Sola’s need to choose between her spirit family and her flesh and blood family. There is also a battle (both physical and in spirit form) with another spirit child named Rewa who wants to kill Sola and insinuate herself within Sola’s family (and who looks enough like Sola to be able to do it). The story ends differently than I expected, and a bit ambiguously, but it’s definitely worth reading. 

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REVIEW: “Mars, the Dumping Ground of the Solar System” by Andrew Kozma

Review of Andrew Kozma, “Mars, the Dumping Ground of the Solar System”, Analog Science Fiction and Fact July/August (2020): 100–105 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Once a thriving colony, now Mars is nothing but a slum for poor people and unwanted genetically engineered humans. Jonquil is a government worker in charge of managing the different communities on Mars. One day, a Mercurian (a human genetically engineered to survive the harsh environment of Mercury) comes to his office and asks him for help to find her missing daughter. The Mercurian is worried that amid growing “anti-engineered” sentiments on Mars, her daughter might be in grave danger.

Kozma’s story has a couple of things going for it. The author delivers a fair amount of world-building in an effective and concise way, without overloading the prose with tiresome info-dumps. Unfortunately, the details of said world-building appear very poorly thought out. Aside from the scientific implausibility of terraforming Jupiter or, even worse, genetically engineering humans to survive on it, I find it impossible to believe that a humanity who’s able to colonize the entire solar system would treat the engineered so badly. The whole notion stinks of fabricated drama. Along similar lines, the plot of the missing girl builds up nicely throughout the story, but it concludes in a very anticlimactic way. The protagonist’s actions are irrelevant to the resolution, as things simply work out on their own.

Interesting in places, but overall this was a disappointing piece.

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