REVIEW: “Mouse, Crow, Cockroach, Valkyrie” by Tiffany Meuret

Review of Tiffany Meuret, “Mouse, Crow, Cockroach, Valkyrie”, Luna Station Quarterly 41 (2020): Read online. Reviewed by Sara L. Uckelman.

This is the story of an invasive plant species that kills almost everything it comes in contact with, experienced through the titular characters — a mouse, a crow, and cockroachs.

While I liked the rotating points of views, overall I’m not sure how successful this story was. One the one hand, the experiences of the mouse, the crow, and the cockroach felt too human, too complex, to be believably animal. On the other hand, their experiences and impressions of the “plants” were not enough for me to really understand what they were (were they really plants, or some type of machine?). In the end, the arrival of the valkyries felt strangely out of place.

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REVIEW: “The Hummingbird Temple” by C.C. Finlay

Review of C.C. Finlay, “The Hummingbird Temple”, Beneath Ceaseless Skies, Issue 300, March 26, 2020: Read online. Reviewed by Richard Lohmeyer.

This story, written by the editor of The Magazine of Fantasy and Science Fiction, is arguably the best of the five stories in this special issue of Beneath Ceaseless Skies. It features several interesting characters, including Lin, the adopted and youngest daughter of her country’s ruler, and Kuikin and Vertir, two agents of one of the country’s leading officials. As the story opens, Lin—last in line to succeed to the throne—is putting the finishing touches on what seems to be the major preoccupation of a solitary life: an intricate scale model temple built from the delicate bones of hummingbirds. Kuikin and Vertir, on the other hand, are enjoying a bit of the good life while posing as foreign investors in an anti-corruption investigation. 

The stuff hits the fan when Lin’s father, the Dynast, dies and she must flee for her life with no one to assist her but a servant and her giant pet killer spider, Snub. The resulting narrative is an enjoyably paced adventure that includes, among other things, an impressive fight with blood ants. Though the story comes to a satisfying conclusion, it can also be read as the beginning of what I hope will become an ongoing series. 

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REVIEW: “Song of the Water Bear” by Laine Bell

Review of Laine Bell, “Song of the Water Bear”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

It’s appropriate that this story of rebirth begins with the narrator awakening from hibernation. Cel belongs to a clan of aquatic, egg-laying creatures that live symbiotically with a species of eight-legged, egg-laying water bears. The lives of both species revolve around protecting themselves and their eggs—their future, in other words—from numerous environmental threats. These include poisonballs, which sicken whoever they touch, and rollers, which eat the eggs and bite off the limbs and tails of all they encounter. 

Shortly after Cel awakens and begins laying her own eggs, she learns of a new threat her people must confront: gray, shapeless beings that move slowly but relentlessly and somehow absorb whoever they meet. Further adding to the difficulty, the longtime leader of Cel’s clan has died and Cel reluctantly agrees to take charge. Whether she and her people have the inner strength and resourcefulness to face this foe and, in so doing, forge a different relationship with the water bears is what the remainder of the story relates. It’s a good story told well and the first-person description of Cel’s egg laying is particularly effective. 

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REVIEW: “Only the Messenger” by Emily C. Skaftun

Review of Emily C. Skaftun, “Only the Messenger”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

World weary, perhaps even universe weary, is one way to describe Astrill, the first-person narrator of Skaftun’s excellent story. More specifically, Astrill is chief engineer on a starship carrying illegal cargo. They have been reincarnated so many times, in so many forms—mammalian, reptilian, avian, etc.–and in so many different corners of the universe, that they have begun to feel life is pointless and love forever disappointing. Then they hear a knock on the porthole outside their cabin. It’s Ennesta, a cute, furry-looking, seemingly cat-like creature whose true nature is one of the story’s major plot points and the source of a profound moral dilemma for Astrill.  

My one problem with this story is its slow start. Had I been reading solely for pleasure, as opposed to the somewhat different responsibilities of a reviewer, I might have put it down without finishing. I’m glad I didn’t, since within two or three epub pages, Skaftun’s story becomes much more interesting. 

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REVIEW: “Where the World Ends Without Us” by Jason Sanford

Review of Jason Sanford, “Where the World Ends Without Us”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

Having read and enjoyed other stories by Jason Sanford, I was looking forward to reading his latest work. Unfortunately, I was disappointed. SF/F has a long tradition of stories serialized over many years. Sometimes a reader’s enjoyment of the latest tale in the series does not require familiarity with the previous installments. Other times, it’s essential. In this particular case, I suspect I would have greatly benefited from having read the two previous stories set in this universe. Both stories–”Blood Grains Speak Through Memories” (a Nebula award finalist) and “The Emotionless, In Love”–appeared in BCS and are available in the magazine’s archives. However, not having read those two stories, I found this story’s premise difficult to accept and its large cast hard to understand. 

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REVIEW: “Truth as a Prize” by R. Z. Held

Review of R. Z. Held, “Truth as a Prize”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

It’s rare that I dislike a story in Beneath Ceaseless Skies, but this is one of those unhappy occasions. It’s not that Held’s story is badly written. However, it’s premise—Naomi is a ghost trapped within and attempting to outwit a malevolent game whose origin is never explained—didn’t work for me. To be fair, it’s worth noting that another, far more prominent reviewer, has praised this story, so perhaps my reaction is an outlier. Nevertheless, I finished the story more out of a sense of obligation than pleasure. 

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REVIEW: “One Hundred” by Sean Monaghan

Review of Sean Monaghan, “One Hundred”, Analog Science Fiction and Fact March/April (2020): 173–182 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Earth is gone, and the last one-hundred remaining humans have managed to carve out a living on a Martian colony. It’s been over 18 years, and nearly every day presents a new challenge for the colonists. After a disastrous fire that takes out a whole portion of their habitat, the colonists rethink their survival strategy, allowing for more innovation and freedom.

First of all, I must mention that this story has some serious plausibility issues: for instance, it is hard to believe that the colony went over 18 years without any new births. And if it did, there can’t be many people left that are of childbearing age. All in all, this colony seems doomed in more than one way. The author touches on some of these issues very briefly (and unsatisfactorily), but ignores most. 

If you can somehow make it past all that, then this is a fairly enjoyable story. The premise is nothing new, but the author’s tone and style have a rather endearing sense of melancholy that add depth to the prose. The characters feel real and so do their emotions in the challenges they have to face (in spite of the aforementioned plausibility issues). I also enjoyed the optimism of the ending, even though I do not think it is entirely earned.

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REVIEW: “Falling Through” by Steen Comer

Review of Steen Comer, “Falling Through”, Escape Pod Ep. 725– Listen online. Reviewed by Kat Samp.

This story hit a chord for me, because I recently had a moment where I saw a protective wall near my house that I had never seen before. It looked old and worn, but I had never noticed it despite walking by it at least hundred times. Was it just a fluke of memory, or had I woken up in a parallel universe where everything was the same except the wall?

A phenomenon like the “Mandela Effect” becomes an interesting and compelling complication for the main character, a ‘shifter’ who is constantly falling through parallel realities. The format of the story is a journal, where he documents memories of past universes even as he shifts into new ones. The confusion of memory, the questioning of reality, and the search for human connection were strong threads throughout.

What worked for me: The author offers an excellent inner look into how shifting through alternate realities would affect the human psyche. It is fascinating to hear how the main character navigates personal identity, dreams for the future, and above all, making (or fearing to make) meaningful human connections. His loneliness and doubt, but also hope and determination, make this an emotionally fulfilling read. Additionally, I liked how the author keeps listeners/readers on their toes with details that contradict earlier statements, signalling that a shift has happened.

What didn’t work (spoilers): I was surprised and disappointed by the ending of the story. It felt like the work that the main character did to reach out and make connections, despite his fear and apathy in the face of an uncaring and constantly universe, was completely undone. Some readers might prefer this (mostly) sad ending, but I felt a bit thrown off-balance by how it veered off from the tone in the first half.

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REVIEW: "Dix Dayton, Jet Jockey" by Liz A. Vogel

Review of Liz A. Vogel, “Dix Dayton, Jet Jockey”, Analog Science Fiction and Fact March/April (2020): 113–116 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

In a future when humanity has colonized the solar system, a lone spacer is flying his ship Euphrosyne to Peekaydee. On the way he sees a pirate ship attempting to board an unmanned freighter headed to Neptune. Determined not to let the pirates steal the contents of the freighter, the protagonist changes his ship’s course to intercept. Though unarmed, he manages to stop the pirates and incapacitate their ship.

This was an enjoyable adventure story reminiscent of the pulp tales preceding the golden age (i.e. the 10s, 20s, and 30s). While Vogel is not as cavalier with the science as the pulps used to be, there is a “free-spiritedness” about the story drives the reader to believe anything is possible. There’s a hero and there’s a villain, and as such, it becomes easy to root for the protagonist’s pulp-style bravery.

The style of narration also matches the adventurous and carefree tone of the story, resembling the (tall) tales recounted around a warm campfire, or a cold rainy night at a bar. Even the author’s tendencies to meander or over-explain things seem justified in the given style. Overall, I had a blast reading this story.

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REVIEW: “Rover” by A. T. Sayre

Review of A. T. Sayre, “Rover”, Analog Science Fiction and Fact March/April (2020): 165–172 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Against all odds, a Martian rover has survived long past its expiration date and is still carrying out its exploratory mission on Mars. So far, all its attempts to communicate with Earth have been unsuccessful. One day while searching for replacement parts, the rover stumbles on a repeating radio signal of a spaceship. Since the signal indicates the possible presence of humans on the planet, the rover risks everything to reach the source.

While it takes a bit to get there, “Rover” builds up into beautiful story full of suspense and melancholy about an advanced (albeit unrealistic) A.I. trying to cope with loneliness and abandonment. Sayre imbues the Martian rover with relatable characteristics without indulging in too much anthropomorphism. At times, the rover reads like a lost pet in an old fairy-tale or fable, adding a great deal of charm to the piece. Of course, it takes a bit to get there. The first third of the prose is rather dry and could have done with some cuts or edits.

Overall, a delightful piece that highly recommend.

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