REVIEW: “Kolumbo 1619: Choose Your Own Adventure” by KÁNYIN Olorunnisola

Review of KÁNYIN Olorunnisola, “Kolumbo 1619: Choose Your Own Adventure,” khōréō 4, no. 4 (2025) — Read online. Reviewed by Sara L. Uckelman.

Content note: Racism, police brutality, murder.

This is a “choose your own adventure” through systematic racism in early 20th C America, over and over and over again. It’s the sort of story that never in a million years could I have ever written, because it is so far removed from my own (privileged!) experiences: I can only ever hope to get a glimpse of understanding of these experiences by reading about them. It’s a tough read, but I’m glad I had the opportunity to do so.

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REVIEW: “The Tangle” by Rae Mariz

Review of Rae Mariz, “The Tangle,” khōréō 4, no. 4 (2025) — Read online. Reviewed by Sara L. Uckelman.

Content note: Animal harm, references to genocide.

As a reader from the tail end of the blip generation, you’re accustomed to your stories having a very particular shape. A recognizable structure. This narrative is likely to be new terrain.

This quote completely encapsulates the thoughts I’d been having very shortly before this quote — that the story itself was a tangle, structured in an unfamiliar, and hence confusing, way. This quote helped reassure me that persevering would be worth it. I think by the end I’d mostly sorted out the tangle. Was it worth it? I’m not sure. Parts of it were too didactic (and too rhetorical) for my taste. But I suspect this is a story I’ll continue to think about.

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REVIEW: “The Secret” by Fumio Takano, trans. by Sharni Wilson

Review of Fumio Takano, Sharni Wilson (trans.), “The Secret,” khōréō 4, no. 4 (2025) — Read online. Reviewed by Sara L. Uckelman.

Roughly a hundred years into the future, the division between the haves and the have-nots has become even further entrenched; this story is the story of two “have-nots” on opposite sides of a century who have each ended up making a living for themselves in an unexpected way. What connects them is the Mistress, who holds an unexpected secret.

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REVIEW: “My Flesh, My Beating Heart, A Willing Meal That Refuses to Remember the Dangers of Being Eaten” by Deanna J. Valdez

Review of Deanna J. Valdez, “My Flesh, My Beating Heart, A Willing Meal That Refuses to Remember the Dangers of Being Eaten,” Flash Fiction Online 142 (July 2025): 23-26 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Violence against women.

I’ve read a lot of stories that take the “monster on my back” metaphor literally — some of them are enormously effective and I love how they can be so straightforward without being trite. Unfortunately, this one isn’t quite one of them.

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REVIEW: “A Concise History of the Goldfish Trade” by Jason Pearce

Review of Jason Pearce, “A Concise History of the Goldfish Trade,” Flash Fiction Online 142 (July 2025): 12-14 — Purchase here. Reviewed by Sara L. Uckelman.

There’s something about this story that feels very much like the type of fairy tale where a gullible young boy trades away his wealth for a myth. Two things made it more than that — Pearce’s setting amonst his ancestral Mi’kmaw, and the fact that the gullible young boy turns the tables at the end.

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REVIEW: “Recitations” by Jacob Baugher

Review of Jacob Baugher, “Recitations,” Flash Fiction Online 142 (July 2025): 8-11 — Purchase here. Reviewed by Sara L. Uckelman.

Sometimes all an author has to do to win me over is provide me with one great phrase. As soon as I read “as if thoughts and prayers were an actual sacrifice” (p. 9), I knew that Baugher could do practically nothing to ruin his story for me. But even without this masterful piece of wordcraft, I’d’ve still enjoyed this beautifully imagined story.

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REVIEW: “The Seal Wife” by Madeline White

Review of Madeline White, “The Seal Wife,” Flash Fiction Online 141 (June 2025): 23-25 — Purchase here. Reviewed by Sara L. Uckelman.

I sometimes shy away from selkie stories because the myth is so narrowly defined that it is hard for an author to do something new and different. One aspect I really enjoyed about White’s take was that the titular seal wife while nevertheless always longing for the sea simultaneously refuses to give up her humanity and the chance to linger in the sunshine. That’s an angle I rarely see, and I liked it. More than that, I liked how the would-be husband to the narrator’s wife steadfastedly refused to satisfy the normal tropes, and instead doggedly insisted on consent and respect.

It wasn’t quite a happy story, but it was close.

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