REVIEW: “Stasis” by Lucy Zhang

Review of Lucy Zhang, “Stasis” Cossmass Infinities 9 (2022): 68-73 — Read or purchase online. Reviewed by Sara L. Uckelman.

According to Aristotle, time is the measure of change: Without change, there simply is no passage of time. This is what the narrator, her brother Junlan, and the rest of their class find out when they end up in a stasis plane. No time passes because nothing ever permanently changes, or could change, and there’s no way out.

As a premise for a story this could have been incredibly dull, but instead the narrator’s wry commentary and perceptive self-reflection made it incredibly enjoyable.

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REVIEW: “Bleed a Little While” by Michael James

Review of Michael James, “Bleed a Little While” Cossmass Infinities 9 (2022): 62-67 — Read or purchase online. Reviewed by Sara L. Uckelman.

How many times do we remember things that we could not possibly remember? How many of our memories are constructed or reconstructed, built up out of what other people tell us, the photos we have, our shared social media histories? I’m sure everyone knows of memories they have that could not possibly be real memories, but James takes this truth and extends it to the extreme, impossible, traumatic end: What if all our memories are constructed, and all shared with everyone else? How do we know what is ours, and who we are?

What a great, compelling, terrifying, heartbreaking story.

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REVIEW: “A Monster in Miami” by Daniel Delgado

Review of Daniel Delgado, “A Monster in Miami” Cossmass Infinities 9 (2022): 25-52 — Read or purchase online. Reviewed by Sara L. Uckelman.

Content note: Death and body mutilation; drug trafficking; contract murder.

The story begins in hot, sticky, sultry Florida: Ana María Quispe Ruiz, la Bruja de Mi­ami (“ba­si­cally three-quar­ters tra­di­tional healer and a quar­ter hedge ma­gician,” p. 30, a great line), has been called to the scene of a murder — it’s magic, not forensic science, that is needed to discover what has happened, and who did it, who the titular monster is.

It’s quite a long story, very introspective and self-reflective, and with some very pointed commentary on how magic is conceived of by those who practice it and those who merely study its phenomenon. Those who like hard-hitting urban fantasy should find something to enjoy in this.

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REVIEW: “The End of Sleep” by Jamie M. Boyd

Review of Jamie M. Boyd, “The End of Sleep,” Luna Station Quarterly 50 (2022): Read online. Reviewed by Sara L. Uckelman.

Content note: Infertility, IVF.

Dr. Ocan Kato deals with sleep issues in PTSD sufferers, which makes him exactly the person Major Claire Weissman wants to see, when experiments involving unilateral sleep in humans (sleeping with only one half of the brain) throw up some surprising results.

But while that’s the main thread of the story, it’s not the only one; it’s also the story of Ocan’s struggle to come to terms with his wife’s infertility. You don’t often get infertility/IVF stories from the point of view of the father, and Dr. Ocan Kato’s grief is raw, palpable, and real.

Overall, a complex and interesting story.

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REVIEW: “Tatterdemalion, or Of Apple Bough and Straw” by Elou Carroll

Review of Elou Carroll, “Tatterdemalion, or Of Apple Bough and Straw,” Luna Station Quarterly 50 (2022): Read online. Reviewed by Sara L. Uckelman.

Content note: Death of a partner.

A very classic sort of fairy tale: A bereaved woman makes a bargain, only to find the price more than she can bear to pay. She gets her happily ever after in the end, but not without a heavy dose of heartache in between.

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REVIEW: “Osteomancy” by Jenna Grieve

Review of Jenna Grieve, “Osteomancy,” Luna Station Quarterly 50 (2022): Read online. Reviewed by Sara L. Uckelman.

My god, this was a good story. The language in this story is exceedingly beautiful, putting images into my head in a way that most stories don’t (those who don’t have any degree of aphantasia may not appreciate this quite as much). I can vividly picture Stranger, arriving at the door of Locksmith begging the creation of a key that only Locksmith can make, everything sharp but cloaked in shades of grey. What a sublime experience, reading this!

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REVIEW: “Crowd Demons” by Lisa Farrell

Review of Lisa Farrell, “Crowd Demons,” Luna Station Quarterly 50 (2022): Read online. Reviewed by Sara L. Uckelman.

Take a photographer hired to photograph a rich man’s soiree, a bunch of photos that don’t turn out exactly how she expected, and a newspaper article a few days later and what do you get? A supernatural ghost mystery that feels like it could’ve been straight out of an episode of the X Files (and I mean this in the most complimentary way possible.)

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REVIEW: “The Hunter’s Child” by Amelia Brunskill

Review of Amelia Brunskill, “The Hunter’s Child,” Luna Station Quarterly 50 (2022): Read online. Reviewed by Sara L. Uckelman.

This was a weird, almost grotesque, little fairy tale. It has all the characteristic roles — the Queen, the King, the Hunter — it has monsters beyond the castle walls, secrets, and little girls who can talk to birds. But entwined with these are ugly threads that you don’t expect to find in a fairy tale — alcoholism, abuse. If there is any happy ending at all, it is the little girl discovering that the monsters outside are not nearly as evil as ones inside.

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