Review of James Ph. Kotsybar, “Epitaph for the Monarch Butterfly,” Radon Journal 3 (January 2023): 63 — Read online. Reviewed by Sara L. Uckelman.
This poem about extinction treads a fine line, balancing ambiguously between pessimism and optimism.
Review of James Ph. Kotsybar, “Epitaph for the Monarch Butterfly,” Radon Journal 3 (January 2023): 63 — Read online. Reviewed by Sara L. Uckelman.
This poem about extinction treads a fine line, balancing ambiguously between pessimism and optimism.
Review of Emmie Christie, “Splendor,” Radon Journal 3 (January 2023): 62 — Read online. Reviewed by Sara L. Uckelman.
I’d never considered the question of what our galaxy would be like if not only our human society but also the stars were trapped under the confines of late-stage capitalism, until I read this poem. I liked the way it made me question; but I found the resolution in the final stanza unsatisfying, because it’s not a solution that can be translated into humanity. Sometimes, knowing your worth isn’t enough to be able to do anything about it.
Review of T. Dallas Saylor, “The Dream of a Teleportation Helmet,” Radon Journal 3 (January 2023): 59 — Read online. Reviewed by Sara L. Uckelman.
I didn’t expect this poem to be as romantic as it was, on the basis of its title.
Review of Shawn Goodman, “Under the Satin Gunmetal Sky,” Radon Journal 3 (January 2023): 40-45 — Read online. Reviewed by Sara L. Uckelman.
Schneider is a detective on the case of a double murder with a twist — two synths who’ve had their arms removed. (Another twist: he’s a synth himself.) Apparently, the best way to solve a complicated case, if you’re a synth detective, is to get high and fight it out at a fight club.
At least, that’s what I got out of Goodman’s story, and all I got. It was one of those weird stories where it feels like it all hangs together while you read it, but at the end you realise none of it made any sense.
Review of Nick Greenleaf, “The Flyswatter,” Radon Journal 3 (January 2023): 34-39 — Read online. Reviewed by Sara L. Uckelman.
Tomo and Tommy fix electronics, but it’s not enough to make a living out of, so occasionally Tomo brings back other jobs for them. It’s a dangerous mission, involving Tomo hooking herself into a neural interface to try to hack her way in through a back door, but will bring in a lot of money.
There’s a fine line between explaining too much and explaining too little, but unfortunately this story fell on the latter side for me. I was never quite sure what Tomo was targetting — a person or a corporation? And the technicians who showed up at the end, their connection to the whole process also wasn’t clear to me. A lot of potential in this story, just not quite realised.
Review of Kevin Helock, “Superluminal,” Radon Journal 3 (January 2023): 29-33 — Read online. Reviewed by Sara L. Uckelman.
The best part about science fiction is that you can ignore science when needed in favor of fiction; on the other hand, if you want to write science fiction you can’t ignore too much science. With his story of faster-than-light travel and a 3000-strong colony on Mars, Helock has managed to hit a good balance between giving up science, without feeling any needed to explain how, and yet keeping the bones of the narrative credible.*
(*Other than the fact that anyone in so far distant a future would consider Elon Musk one of the “Great Men” of history. But Maxim seems the sort of person who would idolize Musk.)
Review of Leah Callender-Crowe, “The Blue Woman,” Radon Journal 3 (January 2023): 14-19 — Read online. Reviewed by Sara L. Uckelman.
Between the rather prosaic info-dump intro and the present tense, which felt oddly unsuited to the story, I struggled a bit to get into this one. But the central message — that no matter how much we sacrifice ourselves to our employers, they will never reward that sacrifice — is an important one to read.
Review of James Redfern, “confessional,” Radon Journal 3 (January 2023): 57 — Read online. Reviewed by Sara L. Uckelman.
I was going to scroll back up through the issue to find a story to review today, but then I glanced at the first stanza of this poem, and it sucked me in and I’d read the entire thing before I realised it. It’s both hilarious, and hilariously on-point commentary on labor in the era of capitalism.
Review of Thomas Mixon, “The Problem Is,” Radon Journal 3 (January 2023): 55 — Read online. Reviewed by Sara L. Uckelman.
This poem nicely encapsulates the existential angst that comes from living in a digital world where everyone is reachable all the time and no one is ever in sync with anyone else, and offers a plea to return to simpler times. On the one hand, I’m sympathetic; on the other hand, I think we’re better off going forward, rather than retrograde.
Review of Avra Margariti, “Eight Dwarfs on Planet X,” Radon Journal 3 (January 2023): 52-53 — Read online. Reviewed by Sara L. Uckelman.
I’m never quite sure if I like SF poetry, but if all SF poetry were like this poem by Margariti, then I definitely would. It struck the perfect balance of poetry and story, and was very definitely SF without needing to rely on spaceships or stars. The fact that it’s a retelling of a classic fairy tale is just an added bonus.
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