REVIEW: “The Case of the Mysterious Meat” by Kate Ingram

Review of Kate Ingram, “The Case of the Mysterious Meat”, Apex Magazine 101: Read Online. Reviewed by Joanna Z. Weston.

This light noir tale won a high school literary competition, with the prize of publication in Apex Magazine. You might expect me to comment on the youth of the author, or to make qualified remarks about the quality of the work. Honestly, the constraints of the competition are even more interesting than the age of the writer! Yes, Ms. Ingram is currently a high school junior. But this piece was written for a competition in which the participants were given a prompt and had only one hour to write flash fiction in response. An hour, from inspiration to completion! I marvel at the audacity of the task. And yet, despite these limitations, Ms. Ingram put together a story that made me literally laugh out loud more than once (and let me tell you, that’s tough; I am easily amused, but it takes a lot to get more than a smirk out of me)

Recommended for those who enjoy noir stories with more than a touch of the ridiculous, and for anyone who is curious how the next generation of writers is coming along.

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REVIEW: “Suffer Little Children” by Robert Shearman

Review of Robert Shearman, “Suffer Little Children”, Nightmare Magazine 61: Read Online. Reviewed by Winnie Ramler.

What is it about governesses and boarding schools that make for such excellent spooky stories? Perhaps it’s the constant cold and rain that seems to be associated with such locations as well as the creepy old schoolmarms who always show up at the most suspect moments.

Part of what lends to the tension in this particular story is the way the reader is let in on the details slowly. This slow reveal allows the reader to speculate as to why the main character- Susan Cowley- was fired from her governess position. She is sent to the suspiciously named H___ Priory where her interactions with the children are a little bit abnormal. How does everything tie together?

While not outright “scary”, Shearman’s story was unsettling in that there is a natural distrust of every character borne out of my own paranoia vis a vie other horror stories as well as the crafting of characters whose motives are as muddy as the ground after the constant rain. While I enjoyed trying to figure out what was going on, I was also surprised by the ending and pleased at what was still left open for interpretation.

If you enjoy creepy children in a Victorian setting, give this a read. It’s a fun classic spooky story.

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REVIEW: “Singularity Alice” by Lorraine Schein

Review of Lorraine Schein, “Singularity Alice”, Syntax and Salt 4, 2017: Read Online. Reviewed by Tiffany Crystal

No sugar coating, no lying: I was bored. I was expecting so much more, especially when I saw that it was a human exploring a supermassive black hole. I have been fascinated by that very idea since I was eight, okay? So you can imagine my disappointment when I found myself skimming – skimming – through it, trying to see if it picked up along the way. It didn’t. I kept finding myself adding “with zombies” at the end of sentences, thinking maybe it was just too passive voiced. I finally just had to admit that I was bored because it was…well, boring.

I’m willing to cut it some slack though. I liked the “White Hole” ending, and it’s possible I was just too excited about the idea, and was unfairly biased. I suggest reading it for yourself, just to be on the safe side.

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REVIEW: “The Fall Shall Further the Flight in Me” by Rachael K. Jones

Review of Rachael K. Jones, “The Fall Shall Further the Flight in Me”, Podcastle: 493 — Listen Online. Reviewed by Heather Rose Jones

Never is the importance of audio fiction sources more stark than with works like this that require the rhythms of oral performance for their impact and meaning. “The Fall Shall Further the Flight in Me” hovers in the space between prose and poetry, not only in the rhythms of the language, but in the demanding impressionist imagery. It’s the story of two peoples at opposite ends of gravity, each of whom mistakenly views the other place as heaven. Ananda comes from a line of holy women who, by long repentance and asceticism gain the tenuous ability to climb up to heaven, where they will petition for needful things like an end to drought. Sano is a winged thing from above, where only by intense self-control can one still the wings sufficiently to descend to the earth, which they call Paradise.

The poetic tale of how these two met and found their fate is only one aspect of this story. The second part is the imagery of how both cultures create an ideal of holiness and purification that demands (or at least to) self-harm. On Ananda’s side it is self-starvation and wounding herself with thorny bracelets (not too subtle Christ imagery). On Sano’s side, her desperation leads her to short-cut the meditative route to descent by mutilating herself. I think it isn’t accidental that both characters are represented as female. To say more would be to spoil the resolution, which is worth achieving on your own. Listen to this jewel some time when you can give it your full and unhurried attention.

(Originally published 2016 in Clockwork Phoenix 5.)

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REVIEW: “Children of Air” by Gabriela Santiago

Review of Gabriela Santiago, “Children of Air”, Lady Churchill’s Rosebud Wristlet #36 Early Autumn: pp. 2-8. Purchase here. Reviewed by Ben Serna-Grey.

 

Second-person narrative is something that can be a bit of a barrier for me in terms of really getting into a piece. This story is opened up with a lovely little selection from Robert Lois Stevenson, then jumps right into second-person narration, which admittedly raised my hackles a little bit.

The saving grace of this work is that the narration is fairly loose; it reads more like guidelines as opposed to a sequence of actions and thoughts you’re supposedly taking.

The story tells, in a sequence of vignettes, about the Children of St. Paul, aka the children of air, who are ghost-like figures.

Everything blends together into a dream-like blur as the story goes on. It starts out telling you about the park, and the plaque there dedicated to the Children of St. Paul, and how the park isn’t so suited to living children. Then the “you” addressed in the story falls asleep, falls into a surreal dream, wakes up and take seven of the children home for a sleepover. Meanwhile the weight of the children begins to weigh heavily on your emotions, and you’re urged over and over to drink milk to help with that burden. I don’t want to give away spoilers for anyone interested in the story, so I’ll just say the ending does come with an implied message.

I enjoyed the surreal aspects of this story, and the overall arc and message of it. The only thing that still ended up keeping me from really connecting was the second-person narration. Even still, I’d recommend a read, as it’s still skillfully made with a nice blend of melancholy, surrealism, and wit.

 

 

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REVIEW: “The Future of Hunger in the Age of Programmable Matter” by Sam J. Miller

Review of Sam J. Miller, “The Future of Hunger in the Age of Programmable Matter”, Tor.com (2017): Read Online. Reviewed by Danielle Maurer.

I’m not sure what I expected when I picked up this story to read, but it wasn’t a gay love story of sorts told during a post-polymer kaiju apocalypse. That said, I’m certainly here for it.

The story takes a science fiction framework and props it against a very human backdrop. The technobabble we expect is here, but it takes a back seat to a story about three core characters: Otto, our first-person narrator and former drug addict; Trevor, Otto’s controlling boyfriend with the too-perfect exterior; and Aarav, the visitor who comes between them. The story is split into two distinct halves: a key night before the kaiju made of programmable matter wreck New York City, and life in the refuge camps of upstate New York.

The prose has its moments of beauty, though in places it leans toward the overwrought. The frequent run-on sentences give it a breathy, babbling, almost nervous quality which can sometimes be grating.

But despite the mechanic flaws, the emotional core of the tale is powerfully depicted. Miller draws a realistic picture of Otto as a recovering addict, constantly worried that he’s not good enough, that he’ll fall back into his old destructive habits. And even though Otto thinks Trevor is perfect, Miller’s skillful depiction lets the reader know how much Trevor takes advantage of Otto’s mindset. It’s a heartbreaking tale, for much is lost on both macro and micro scales, but it’s also one of self-empowerment for Otto. Well worth a read.

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REVIEW: “Seven” by Sarah Krenicki

Review of Sarah Krenicki, “Seven”, Syntax and Salt 4, 2017: Read Online. Reviewed by Tiffany Crystal.

I cannot express just how much I love this story. It has magic, and children, and growing up, and fireflies, and magic. Sarah Krenicki takes us for a short trip into a world where children gain magic on their seventh birthday, and lose it the day after they turn eight. It’s a rite of passage all kids go through to become “big kids.”

All kids except for little Katy. She turns seven, gets her magic…and never loses it, even when she turns eight, then ten and twelve. In this, Katy is almost a Peter Pan figure, with her older sister (or so I assume) playing the part of Hook. Or perhaps it would be better to say that Katy is Peter, her magic is Wendy, and her sister is the jealous fairy Tinker Bell.

However you want to look at the characters, the story is definitely worth a read…or two or three.

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REVIEW: “The White Fox” by L. P. Lee

Review of L. P. Lee, “The White Fox”, Podcastle: 492 — Listen Online. Reviewed by Heather Rose Jones

“The White Fox” is an evocative fantasy-of-agency, though of a somewhat displaced agency. The protagonist is escaping from a briefly-sketched prison camp in Japanese occupied Korea and receives the assistance of a supernatural figure when she (I think it’s a woman? It’s told in first person and the reader is female–not sure if gender was explicit) is in danger of being recaptured. While the story was solidly written, I felt distanced from the immediacy of the action. The memory and threat of the prison camp didn’t feel viscerally tangible, and thinking back, I cant remember a clear motivation for why the protagonist was offered protection and assistance. I thing part of my reaction is that the protagonist was a bit of a “damsel” – in peril and rescued, but saved by outside agency. I liked the way the mythic elements were solidly rooted to place and culture and time. And, as usual, I really enjoyed how the setting was established with casual brushstrokes, leading the listener to construct their own understanding rather than having it handed to them. But overall the story felt…thin.

(Originally published 2015 in Eastlit.)

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REVIEW: “We are Turning on a Spindle” by Joanna Parypinski

Review of Joanna Parypinski, “We are Turning on a Spindle”, Nightmare Magazine 61: Read Online. Reviewed by Winnie Ramler.

Time marches ever on. It pays no attention to the desires of us mortals, and it certainly doesn’t stop for anything. One of the fun aspects of science fiction is that it gives us a chance to imagine how the future might appear. Some choose to go not too far into the future, but Joanna Parypinski goes so far that there is hardly anything left. You can’t even be sure if this was Earth or if it’s some other planet where beings like us may have existed.

In this retelling of Sleeping Beauty, the main character traverses a long distance in the far off future in order to find the greatest beauty in the universe. The world is so changed that it is alien and ancient and falling a part. His obsession with his quest is what drives him- the strength of the legends he’s heard and the strength of his own convictions.

I love the descriptions in this story. The details were gorgeous (even when they were describing things that were less so). It was a very visceral read.

I really appreciated the introspective tone of the tale. Possession is a tenuous concept, and this story examines what exactly this term means and the consequences that can come with it. Be careful what you wish for.

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REVIEW: “Tree of the Forest Seven Bells Turns the World Round Midnight” by Sheree Renée Thomas

Review of Sheree Renée Thomas, “Tree of the Forest Seven Bells Turns the World Round Midnight”, Apex Magazine 101: Read Online. Reviewed by Joanna Z. Weston.

The main action is simple: Wilder is hiking through the Tennessee woods at night with his lover, Thistle, in order to meet her mother. The language is dense and lyrical, dripping with portent. In order to get the most of this one, you have to be willing to let yourself sink into that language without worrying too much about the plot. The narrative follows a meandering path though the present and the past, dipping into Wilder’s attempts to woo Thistle, into their relationship, and occasionally into his life before her, before returning to the present day. The point of this story is not the plot (though it’s a fine, well-developed plot). The point of this story is the characters, mood, and feeling. It is the dawning realization that all is not as it seems to the narrator, and the inevitable resolution.

While I admire the luscious language and the the languid journey, I personally found that this story moved too slowly for me, towards a resolution that I guessed at shortly after the opening lines. An inevitable ending isn’t necessarily a bad thing – sometimes it can allow the reader to focus on the journey over the destination – but it didn’t entirely work for me in this case. I kept thinking about how the details and diversions might come together in the end, when they were the point in and of themselves. Each memory, each observation, feeds the mood, giving it depth and weight. That is the point: to be fully immersed in the world, so that ending, once it arrives, has a gravity to it.

I want to emphasize that I didn’t dislike this story – I think it’s expertly written and executed – I just wasn’t able to sink into as fully as I wanted to. If you love to linger over dense prose, lyrical descriptions, and a beautifully meandering narrative, then this may well be the story for you.

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