REVIEW: “Skipped” by Emily Taylor

Review of Emily Taylor, “Skipped”, Asimov’s Science Fiction November/December (2017): 100-105 — Purchase Here. Reviewed by Kiera Lesley. 

“This is awkward,” I said. “But one of us has skipped.” 

Sometimes the transport architects get it wrong and you bounce through a space-time pocket in transit and swap places with another you in the multiverse. You have to sign a waiver to travel accepting the risk. It’s not common, but it’s the situation Taylor’s protagonist finds herself in and one she must live with until she reaches the transport station and is swapped back in to her own life and universe again. 

I really enjoyed this one – it’s a great example of a simple, punchy idea thought all the way through. The real story here is less about how the protagonist gets back and more about her considering the contrasts between her own universe and the life she has left behind, and the one she has found herself in. Children she did and didn’t have, partners and life trajectories, and how the moon she lives on differs to the one she finds herself in. The way the memories of the past and the experience of the present, which isn’t really ‘real’ alternate give the piece a dreamy feel, too. The reveal of the protagonist’s change in perspective and what she’s bringing back to her own universe is developed really well despite the short length of the piece and lands on a satisfying end point. 

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REVIEW: “Refugee; or, a Nine-Item Representative Inventory of a Better World” by Iona Sharma

Review of Iona Sharma, “Refugee; or, a Nine-Item Representative Inventory of a Better World”, Strange Horizons 8 Jan. 2018: Read online. Reviewed by Danielle Maurer.

Some stories only work because of their fascinating concepts, and that is the case for this particular story. “Refugee; or, a Nine-Item Representative Inventory of a Better World” is told by an old woman who runs a sort of mystical shelter for those who are on the run. Some brand of magic, never fully explained, brings people across time to her door and the doors of her people. The strangers can rest for a brief time and recover their strength before they return to their world.

As I said above, it’s a fascinating concept, and the story is couched in an inventive format that reveals it piece by piece. There’s a sense of history and a large world behind it, in the one-off comments made by the narrator and the hints of her lost love. Moreover, it’s clearly tied to our world somehow; the narrator mentions a Starbucks early on.

Without the novelty of that central idea, however, this story is a lot less engaging. There’s not really a plot here; ostensibly, it’s the appearance of the boy Corbie and the narrator’s interactions with him until he leaves, but these are covered only in brief sketches. We have the narrator’s presumably tragic love story with Kiran, but this too does not truly create any forward momentum. I’m left wishing for a full story featuring this old woman and the refugees she aids, something that introduces a conflict and grows toward a resolution.

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REVIEW: “Everybody and His Mother” by Agrippina Domanski

Review of Agrippina Domanski, “Everybody and His Mother”, Luna Station Quarterly 32 (2017): Read online. Reviewed by Sara L. Uckelman.

I struggled with this one. I struggled with reading the story, to the point where I eventually gave up about half-way through, and then let it sit for another month before coming back to reread it. It’s not that it was poorly written, it’s not that it contained elements I found problematic, I just found it a difficult story to engage with. Part of it is that it seems quite atypical for Luna Station Quarterly‘s usual offerings; it very much felt like an ordinary story, of ordinary people doing ordinary things in ordinary places and that’s all it was for the first three-quarters of the story or so. In another venue, this wouldn’t have even been worth mentioning; but reading this story in a spec fic journal, I found myself waiting for more, wanting more. So I’m in the strange position of having to say that even if the story itself is good, the venue choice isn’t. It just didn’t work for me, and that ended up affecting my interaction with the story.

The story deals with the permeability of memory, and involves a lot of double-talk; I’m never quite sure what or whom to believe, never quite sure what the truth is. Part of this is because the narrator, Jemima, is not entirely reliable; part of it is simply because many useful pieces of information are omitted from where I would want to have them, or even omitted altogether. For example, both “Jack” and “the kid” play central roles both in the story and in Jemima’s life, but it was unclear for quite awhile what the relationship was between the kid and Jemima, or between the kid and Jack, or between Jack and Jemima. Clues and puzzle pieces were given, but I put them together in the wrong way, only to find a significant portion of the story later that I’d missed the mark. All of these things conspired to my finding this a difficult piece to read.

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REVIEW: “Big Mother” by Anya Ow

Review of Anya Ow, “Big Mother”, Strange Horizons 1 Jan. 2018: Read online. Reviewed by Danielle Maurer.

There’s something both horrific and beautiful about the story Anya Ow narrates in “Big Mother.” It effortlessly combines the terror of meeting something strange in the dark with a childhood nostalgia and sense of loss for the wild places of the world.

In “Big Mother,” the narrator recounts an experience she had as a young girl with her brother and three neighbor children. The children go fishing in the dark, searching for a snakehead, and accidentally hook something more dangerous. When the lure proves too strong for the oldest boy, the narrator must lead the other children to his rescue.

The story has something of the feel of Stranger Things to it, in that its climax revolves around one child going missing and his friends searching for him. It’s got a creepy creature too: the eponymous Big Mother, which the children dredge out of the canal. Though it starts a little slow, the horror element pulses strongly in the story’s middle and through the climax. It will keep you on the edge of your seat.

Our heroine is exactly what you would want in a horror story, bold and brave despite her fear. It is she and she alone that walks into the water to meet Big Mother, and she rescues the oldest boy by talking the monster down. The story concludes with a present-day epilogue, where we see how this childhood event resonated down through the narrator’s life and how sad she is that the modern world is swallowing the spaces where magic once dwelt.

It’s a beautiful tale, well-told and memorable in its execution from start to finish.

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REVIEW: “The Birding: A Fairy Tale” by Natalia Theodoridou

Review of Natalia Theodoridou, “The Birding: A Fairy Tale”, Strange Horizons 18 Dec. 2017: Read online. Reviewed by Danielle Maurer.

Fairy tales, when they’re done well, are some of the most exquisite stories to read. Even when they’re set in our world, they have an otherworldly, dreamlike quality that sets them apart. In this regard, “The Birding: A Fairy Tale” lives up to its name.

Set in modern-day Greece in the aftermath of a plague that turns its victims into birds, this short story follows a pregnant woman named Maria as she searches the plague’s wreckage for her husband. It feels like “The Birds,” if the birds were mostly peaceful and the result of humans metamorphosing.

The story is engaging from the beginning; it starts with the classic of post-apocalyptic literature and film, the highway full of empty cars a direct sign to the reader that something is not well with the world. Maria is a sympathetic protagonist, and it’s easy to put ourselves in her shoes. She makes the choices we hope we would make, and the dashes of backstory Theodoridou inserts are just enough to paint a picture of her life and loss.

I had hoped for a different, happier ending – not the “and they lived happily ever after” sort, because that would be trite, but perhaps something that suggested a way for Maria and her child to move forward in this new world of birds. While it wasn’t what I wanted, Theodoridou does deliver a denouement full of poetic lines and beautiful imagery, and in the end, that beauty is what I like most about this modern-day fairytale.

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REVIEW: “Timewalking” by Michael Cassutt

Review of Michael Cassutt, “Timewalking”, Asimov’s Science Fiction November/December (2017): 86-99 — Purchase Here. Reviewed by Kiera Lesley. 

He, James this year, this month, this week, is not only signalling 1962 and 1974 and possibly 1988 James… he is signalling James This Week. 

A different take on a time travel story. James has begun to sleepwalk and, in an attempt to figure out what’s going on contacts an experimental company called Ikelos who attempt to cure him. Instead, they tell him that he is not in fact sleepwalking, but walking through time. This allows James to send future information back to his past self and access information in the past that his future self has left for him there. James’ future self is trying to tell him something about the decisions he makes about his start up company May Cay and their ramifications for the future. 

I enjoyed how the two intertwined storylines echoed one another thematically – the timewalking web and the ‘vineware’ plant-machine hybrid product James is creating with his start up – and how both deal with changing up current methods of passing information along. Watching the information pass between the two as the story progressed was compelling and a good use of both ideas. 

I found James’ final decision a little unsatisfying, though, it didn’t quite derive from his previous thinking and experiences enough to follow on logically for me. 

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REVIEW: “Island of Skulls” by Matt Spencer

Review of Matt Spencer, “Island of Skulls”, Broadswords and Blasters 1 (2017): 52-67 — Purchase Here. Reviewed by Yana Shepard.

Where do I start? Well, first off, I should mention the language. Personally, it doesn’t bother me, but I know plenty of people that don’t enjoy heavy use of harsh words. This heads up is for those people who would do better skipping “Island of Skulls” for that reason.

On to the main characters.

The twins are young and it shows. Ketz is easily distracted by curves and Tia is disrespectful in both her speech and behavior towards others. Granted, Ketz was being pulled into the plot by what seemed like lust filled magic, but that isn’t answered as this is a two part story. (The second half being continued in issue 2 of Broadswords and Blasters.) I think if I had gotten the chance to learn more about the twins I could have grown to like them. As a short story, however, I couldn’t get behind their attitudes. Ketz seemed more level headed than his sister, not so eager to kill, unlike Tia.

The world building was interesting. I would like to see more of that, but the twins made the story a slower read than it needed to be.

As far as story goes, I’m unsure why Tia brought Ketz along with her to check on the Island of Skulls. If he was being manipulated with sex appeal (which may or may not have been solely through magic) wouldn’t he be a threat to their mission?

Unfortunately, my question won’t get an answer until issue 2.

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REVIEW: “Passive Aggressive” by Narrelle M. Harris

Review of Narrelle M. Harris, “Passive Aggressive”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 270-274. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

So much drama in fiction (and in reality, if we’re being honest here…) relies on people who say one thing but mean another, hidden, thing. In this story, Harris turns this technique on its head — people say one thing but what they mean is not hidden, it is known to everyone. As a result, there are always two layers of conversation going on, the what-is-said and the what-is-meant, and between this double layer is a layer of tension that continues to build and build until you know it must explode, and how it must explode, but not exactly how. Those exact details are a surprise that makes the story worth reading to the end.

Sara L. Uckelman1 Comment

REVIEW: “To Blight a Fig Tree Before it Bears Fruit” by Benjamín Naka-Hasebe Kingsley

Review of Benjamín Naka-Hasebe Kingsley, “To Blight a Fig Tree Before it Bears Fruit”, Apex Magazine 104: Read Online. Reviewed by Joanna Z. Weston.

Eight brown, pregnant bodies are restrained on a stage, alive, but deeply uncomfortable. Soon, we find out why. The answer is a brutally honest look at what the wealthy and racially privileged would do to extend their own lives, if they only had the right technology. Everything but the technology itself is painfully plausible.

This is a powerful story. Short (barely longer than flash fiction, at less than 1500 words), but it packs a punch. I was impressed by the tightness of the prose, and the focus of the narrative. We stay in the present moment, with only a single flashback – when Meshee, our point of view character, thinks about what her mother would say about the situation. No mention of the history of the technology, or how she herself got to be in this position. Those answers aren’t relevant. The future is unknown. All that matters is what happens right now, on this stage.

The ending is perfect, and surprisingly hopeful. I highly recommend giving this gem a read!

J.Z. Weston1 Comment

REVIEW: “Six Jobs” by Tim Pratt

Review of Tim Pratt, Six Jobs, Podcastle: 497 — Listen Online. Reviewed by Heather Rose Jones

My expectations for this story were turned around several times in the course of listening to it–which is perhaps more a commentary on my tendency to set up expectations that on the story. From the title, I was first expecting a listicle story–a format I’m not entirely fond of. But although the six jobs of the story did provide the overall structure of the narrative, the through-line of the plot wasn’t the usual listicle structure.

Kayla has an unusual skill: the ability to see things that others can’t, especially connections between things. This brings her to the attention of various folks who are interested in making use of those skills, and the main thrust of the story is how Kayla turns her talents not only to making a living but to making a difference in the world as she understands it. The climax of the story depends on her rather naive tendency to believe what those other people tell her about their own purposes and goals. This is where the story expectations turned a few more times–or rather, turned one fewer time than I expected.

In the end, I wasn’t sure that Kayla had learned the right lesson about being skeptical of mysterious strangers offering her jobs, and rather than being a story about challenging first impressions, it settled for being a rather simpler quest resolution. I wanted one more twist at the end that I didn’t get. A good story, but not quite surprising enough to be a great one.

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