REVIEW: “Downgrading” by Kei Zushi

Review of Kei Zushi, Tony McNicol (trans), “Downgrading” in Hirotaka Osawa, ed., Intelligence, Artificial and Human: Eight Science Fiction Tales by Japanese Authors, (AI x SF Project, [2019]): 23-28 — More information here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Content warning: contemplation of suicide.

This story felt slightly autobiographical — both the narrator and the author had a prize-winning short stories in their 20s, and then settled down to write obscure novels after that. But that’s a situation probably many readers can resonate with, or at least sympathise with, so it provides a nice hook into the rest of the story, which focuses on an artificial support system for dementia sufferers.

I found the story surprising fully of pathos and depth.

(First published in Artificial Intelligence 29, no. 1 (2014).)

REVIEW: “The Clearing Robot” by Motoko Arai

Review of Motoko Arai, Rachel Lam (trans), “The Clearing Robot” in Hirotaka Osawa, ed., Intelligence, Artificial and Human: Eight Science Fiction Tales by Japanese Authors, (AI x SF Project, [2019]): 15-20 — More information here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

I loved every single bit of this story. It’s a story for all of us indifferent housekeepers who spend too much time at home collecting (and generating!) books and papers. I felt so much sympathy with the narrator in the opening pages! And I’m in 100% agreement: “What we people…really need is not a robot that cleans our space; we need one that clears it” (p. 17).

(First published in Artificial Intelligence 31, no. 4 (2016).)

REVIEW: “Prayer” by Taiyo Fujii

Review of Taiyo Fujii, Kamil Spychalski (trans). “Prayer” in Hirotaka Osawa, ed., Intelligence, Artificial and Human: Eight Science Fiction Tales by Japanese Authors, (AI x SF Project, [2019]): 7-12 — More information here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Contemporary and futuristic technology provides ample scope for crimes that wouldn’t even have been imaginable a decade or two ago. Fujii’s story opens on Kip, in hot pursuit of a tanker housing enough computer power to mine cryptocurrency in sufficiently large amounts so as to undermine Singapore’s economy. He’s got everything he needs to scan the ship and board it, and a support crew to help him get there.

One tends to expect hard SF when reading fiction writing by scientists and computer programmers. So I loved that this, the opening story of the anthology, blew such expectations into the water by focusing on the distinctly unscientific activity of prayer. Technology only gets us so far.

(First published in Artificial Intelligence 30, no. 1, 2015.)

REVIEW: Intelligence, Artificial and Human: Eight Science Fiction Tales by Japanese Authors edited by Hirotaka Osawa

Review of Hirotaka Osawa, ed., Intelligence, Artificial and Human: Eight Science Fiction Tales by Japanese Authors, (AI x SF Project, [2019]) — More information here. Reviewed by Sara L. Uckelman.

I received a copy of this anthology at WorldCon 2019, after a very interesting, and too brief, post-panel conversation with the editor about academics who also write fiction. This collection is eight stories all originally published in Artificial Intelligence, the academic magazine of the Japanese Society of Artificial Intelligence, and translated into English here for the first time. They are written by authors with a wide variety of scientific and non-scientific backgrounds, from software development to electrical engineering to sociology and the arts and more, some of whom are well-known and highly-renowned Japanese SF authors, such as Motoko Arai and Kei Zushi.

The shorts were all quite short — 5 pages a piece — and with only eight stories in the collection it felt like a little gossamer bite. But the stories themselves had plenty to chew on, and I really enjoyed the playfulness that many of the authors adopted towards their hard science: none of the stories took themselves too seriously, while at the same time indulging in some of our deepest fantasies and desires. So many stories I read and came away feeling, “Oh, yes, this, I want this.”

I was also delighted that so many of the stories were written by women.

As is our usual practice, each story will be reviewed individually, with the review linked back here when it is published:

REVIEW: “Six Years Stolen” by Damon L. Wakes

Review of Damon L. Wakes, “Six Years Stolen” in Ten Little Astronauts, (Unbound Digital, 2018): 73-104 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

“Six Years Stolen” is another murder mystery — a sniper is picking off policemen, one by one, and Malcolm is co-opted by his superiors to track down the murderer. But this version is a bit more noir than the previous one — set against a grimly dark backdrop that is presumably in the future but at the beginning feels (despite what would be obvious anachronisms) rather like the 1930s. It doesn’t take long for it to take a sharp turn into dystopia, though, when we find out that everyone has been drugged without their knowledge, for more than a century — a drug that prevents people from blacking out each day. I would say more about the drug and the side effects it is intended to prevent, but that would give away too much of the horror… This was a superlative premise, excellently executed.

REVIEW: “Murder By Magnetism” by Damon L. Wakes

Review of Damon L. Wakes, “Murder By Magnetism” in Ten Little Astronauts, (Unbound Digital, 2018): 69-71 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This brief non-fiction interlude follows “Ten Little Astronauts” and describes some of the motivation behind the story, as well as the author’s choices concerning how to incorporate the science into the fiction. I found it interesting to read Wakes’ explanation for why he chose a relatively hard SF framework for the story, ensuring that “easy” answers to the whodunit question could be excluded (this despite the fact that briefly the characters entertain the possibility that the killer is an alien).

I myself didn’t know enough of the science to know, while reading the story, how well Wakes accomplished what he set out to do, so I appreciated the chance to read a bit more about the fact behind the fiction. In reading this I also found out that a promotional video for the novella was filmed onboard HMS Alliance. For those of you who are interested, you can view it on youtube here; however, I would recommend reading the story first.

REVIEW: “Ten Little Astronauts” by Damon L. Wakes

Review of Damon L. Wakes, “Ten Little Astronauts” in Ten Little Astronauts, (Unbound Digital, 2018): 1-67 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This story is billed as “Agatha Christie in Space”. I’m not actually a Christie reader myself — somehow, mystery has never made it high enough up my priority queue to read, though I’ve enjoyed TV adaptations of Christie’s stories — so I can’t speak to how well the Christie-style was rendered, but as a mystery it held up well. We got our first body on the first page, and very quickly after that we were given a panoply of possible suspects, each with their own very different and very strong preferences and motivations. The opening pages fairly teemed with conflict. After that, the story was stuffed full of uncertainty, second-guessing, mistakenly drawn conclusions, and even a possibility that would not have been available to Christie — that the murderer might be an alien. All in all, I found it exquisitely composed.

REVIEW: Ten Little Astronauts by Damon L. Wakes

Review of Damon L. Wakes, Ten Little Astronauts, (Unbound Digital, 2018) — Purchase here. Reviewed by Sara L. Uckelman.

This collection contains the titular story, “Ten Little Astronauts”, an Agatha Christie-style hard SF/mystery novella; a brief nonfiction interlude, “Murder by Magnetism”; followed another novella, which provides an alternative approach to setting a mystery story in space, “Six Years Stolen”. It’s an unusual combination, but the three pieces ended up making a coherent whole in my opinion.

As usual, we’ll review each individually, and link the reviews back here when they are published:

REVIEW: “Things Forgotten On the Cliffs of Avevig” by Wendy Nikel

Review of Wendy Nikel, “Things Forgotten On the Cliffs of Avevig” in Rhonda Parrish, ed., Grimm, Grit, and Gasoline: Dieselpunk and Decopunk Fairy Tales, (World Weaver Press, 2019): 288-292 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The final story in the anthology is the shortest. It was less clear than some how it fit the theme of the anthology; but taken on its own merits it was a sweet little story about the importance of memory.

REVIEW: “One Hundred Years” by Jennifer R. Donohue

Review of Jennifer R. Donohue, “One Hundred Years” in Rhonda Parrish, ed., Grimm, Grit, and Gasoline: Dieselpunk and Decopunk Fairy Tales, (World Weaver Press, 2019): 275-287 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Lew, Marek, and Iga escaped the burning of their farm and managed to find and join the resistance. Now, a year later, they are on a quest, to convince the gunsmith to make them a magic gun, something that they can use in their fight for freedom.

The weight of the quest has proper fairy tale feel to it, and so too the mysteries that they find when they finally meet the gunsmith. The quiet events of the week in which the gunsmith made the gun for Iga were full of warmth and compassion, which provided a sharp contrast to the unexpected, sudden, and deadly ending.