Review of Shikhar Dixit, “The Night Kingdom”, Weird Horror 1 (2020): 62-68 — Purchase here. Reviewed by Sara L. Uckelman.
Content note: Corpses, severe injury, nonconsentual commitment to mental institution.
Now this was my kind of horror! Haunted books, twisted stories, Cathar heresy, and a pervasive uncertainty of what the cause of it all is, all written in an engaging and characterful style. Thumbs up.
Review of Steve Toase, “Children of the Rotting Straw”, Weird Horror 1 (2020): 37-41 — Purchase here. Reviewed by Sara L. Uckelman.
Content note: Slavery, loss of child.
This was an eerie story, invoking an intense feeling of autumn — scents, sounds, activities. The plot was simple but effective, and just the right length to be satisfying.
Review of Inna Effress, “The Devil and the Divine”, Weird Horror 1 (2020): 29-34 — Purchase here. Reviewed by Sara L. Uckelman.
I loved the combination of horror and fantasy that comprised this story. The foreign setting was just familiar enough to make you feel like what was happening could’ve happened anywhere, perhaps even here in the real world; and Clava’s desperate, perverted desire to become the beheld instead of the beholder, and the steps that she takes to achieve this end were chilly and creepy. Beneath all of these was the uncertainty I had whether Clava was the villain — or the victim.
To cap things off, David Bowman’s illustrations accompanying this story were really quite divine.
Review of Steve Duffy, “White Noise in a White Room”, Weird Horror 1 (2020): 18-27 — Purchase here. Reviewed by Sara L. Uckelman.
This story was cleanly and precisely written with elegant language — every word necessary, to the point where I found myself having to go back and reread various parts of it, sometimes more than once, to ensure I wasn’t missing out on some important clue. It had a sort of hard-beaten/detective noir to it, but for all that, I’m not quite sure what was “horrible” about this story.
Review of Naben Ruthnum, “Krazy Krax”, Weird Horror 1 (2020): 10-14 — Purchase here. Reviewed by Sara L. Uckelman.
This is the inaugural fiction story in Undertow Publication’s new horror serial, Weird Horror, which I received a review copy of via my friendship with David Bowman, one of the featured artists in the issue.
I haven’t read a print fiction journal in ages and loved really enjoyed it — it feels so nice in my hands, look so nice on the page, well-formed great art (not just Bowman both other artists are featured as well, with personalised art for every story), plus opinion columns and reviews in amongst the fiction.
But the fiction is what I’m here for, so let’s talk about Ruthnum’s story. For all that horror is a speculative genre, this story was full of gritty realism. The horror comes from how reasonable the narrator sounds, how sympathetic and empathetic, and how he never quite says what it is that has happened. Reading the story was a weird combination of humor and gaslight, and it was altogether creepy. A solid start to the issue, and to the journal itself!
Review of Nicole Janeway, “The Old Hotel”, Luna Station Quarterly 27 (2016): Read online. Reviewed by Sara L. Uckelman.
This reads like a series of beautiful vignettes — words carefully painting pictures for the mind’s eye — rather than a story with characters to be invested in, events to be concerned about, outcomes to celebrate.
But it is short, and it is pretty, so I can’t fault it too much.
(Originally published in Scarlet Leaf Review, 2016.)
Review of Anna O’Brien, “Mory Takes Flight”, Luna Station Quarterly 27 (2016): Read online. Reviewed by Sara L. Uckelman.
I struggled a bit with the balance between background information and actual story in this one; it sometimes felt like there was more of the former and less of the latter. But I enjoyed the chatty oriole from England who was just passing through Cyrpus when he met up with the titular Mory; he was amusing and jolly to read.
(First published in Unlocked: Short Stories from the Frederick Writers’ Salon, 2015).
Review of Alexis Ames, “Halfway Through the Dark”, Luna Station Quarterly 43 (2020): Read online. Reviewed by Sara L. Uckelman.
This was a wonderfully cosy steampunk mystery, which I enjoyed a lot. The characters felt rich and familiar, as if this was but one episode in a series of stories. I’m now interested to see if Ames has written about Kate and David before, or if she’ll write about them again in the future!
Review of Anne Elise Brinich, “Assyrian Machinery”, Luna Station Quarterly 43 (2020): Read online. Reviewed by Sara L. Uckelman.
The setting of the story in ancient Assyria appealed to me from the start (I have a fondness for the ancient Near East, and I once did some intensive research on ancient Babylon for a story of my own, and I could tell, while reading this, that Brinich has done a similar amount of research, as I recognised a lot of the telltale details), but the story itself was what impressed me: Characters I cared about from the first paragraph, moments that pierced my soul, two threads of building/making and family/sisterhood entwined together in a beautiful manner, and sharp, sudden, unexpected ending. This was another first-rate publication in this month’s LSQ.
Review of Amy Porter, “Giant Beach”, Luna Station Quarterly 43 (2020): Read online. Reviewed by Sara L. Uckelman.
Oh, this was a lovely story! As global warming increases, and more and more icebergs melt, the remains of a long-extinct species come to light, parts of their bodies washing upon the shores of Iceland. One day, an eye, whole and perfectly preserved for so many millennia, washes up — and “After weeks of nothing in my life mattering”, the narrator tells us, “suddenly something did”. The story of their journey to the giant beach, and their experience of looking into the giant’s eye, is both tender and intimate; Porter’s beautiful writing makes it feel like we’re there beside the narrator, watching without intruding. Beautifully crafted.
SFF Reviews