REVIEW: “Bone Birds Fly” by Malda Marlys

Review of Malda Marlys, “Bone Birds Fly,” Flash Fiction Online 135 (December 2024): 20-22 — Purchase here. Reviewed by Sara L. Uckelman.

This is a story about living after the end of the world, when everything else is dead and dry and gone, and yet just because we’ve killed the world doesn’t mean that we ourselves aren’t still struggling along in the aftermath. Pretty bleak.

REVIEW: “A Soft and Silent Glow” by Liz J. Bradley

Review of Liz J. Bradley, “A Soft and Silent Glow,” Flash Fiction Online 135 (December 2024): 23-25 — Purchase here. Reviewed by Sara L. Uckelman.

I love it when I get to read an author’s debut story! Bradley’s dystopian future has more than a hint of magic about it — a lovely contrast carefully blended. There’s nothing especially hopeful or happy about the story, but there is something beautiful about it.

REVIEW: “The Caged Budgerigars” by Sara Siddiqui Chansarkar

Review of Sara Siddiqui Chansarkar, “The Caged Budgerigars,” Flash Fiction Online 135 (December 2024): 8-10 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Miscarriage, stillbirth, and infertility.

This was a well-put-together story but upon reading it I knew I’d have difficulty reviewing it because it’s not really speculative in any way (FFO has the occasional non-spec story). But I was curious about what the issue’s theme was, to see if understanding how it fit into the theme would reveal something more than what was in the story itself. The theme for this issue is “eco-futures,” and knowing that didn’t actually clue me in any more; this story is very much rooted in the present. So I delved into the editorial to see if I could understand why the editors chose this particular story for this particular theme, and Halsey’s comment piqued my interest: “I went with this portrayal of a woman struggling with her inability to have children because it mirrors the intimacy of another mother’s story within this issue” (p. 6). Guess I’ll have to read that one next!

REVIEW: “Five Easy Hairstyles for Snake-Haired Girls” by Jelena Dunato

Review of Jelena Dunato, “Five Easy Hairstyles for Snake-Haired Girls,” Small Wonders no. 4 (October 2023): 10-11 — Read online. Reviewed by Sara L. Uckelman.

This poem was a twist on the standard Medusa story, from her despoilment to her eventual escape and ascension. It had a couple of good lines in it, including: “If you wanted criticism, you’d call your mother,” which is a banger.

REVIEW: “If We Live to be Giants” by Allison Mulder

Review of Allison Mulder, “If We Live to be Giants,” Small Wonders no. 4 (October 2023): 25-28 — Read online. Reviewed by Sara L. Uckelman.

Content note: Domestic abuse.

This was a shudderingly sad story of two girls’ escape — and their mother’s escape — from an abusive grandfather. It’s the kind of story that makes you think there must be something behind it, a reason why the author chose to wrote this story rather than another one. I hope the exorcism of writing it helped.

(First published in Fireside Magazine 47, 2017).

REVIEW: “Drunken Supernova” by Keira Perkins

Review of Keira Perkins, “Drunken Supernova,” Small Wonders no. 4 (October 2023): 21-23 — Read online. Reviewed by Sara L. Uckelman.

One of the things that Small Wonders does very well is speculative poetry, and this one is no exception. Perkins’ poem is long enough to be a flash fic piece in itself, but it is very clearly poetry and not just prose that’s been formatted with strange line breaks. It has a tight, clear voice, blending reality and unreality exquisitely, with a sucker punch at the end.

REVIEW: “On the Bare Unwelcoming Shore” by Zohar Jacobs

Review of Zohar Jacobs, “On the Bare Unwelcoming Shore,” Small Wonders no. 4 (October 2023): 17-19 — Read online. Reviewed by Sara L. Uckelman.

What a beautiful and evocative story this was, exploring the lives of the generation after the generation after the generation that first settled on Mars. It’s ostensibly SF — space travel, planet settling — but the strongest thread in the story, for me, was the way it questioned what religion is and where it comes from. So much in such a small package: I loved it.