REVIEW: "A Stone's Throw From You" by Jenn Reese

Review of Jenn Reese, “A Stone’s Throw From You”, Analog Science Fiction and Fact March/April (2020): 111–112 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

A young woman talks to the dead body her estranged sister. She is a scientist helping to save a world ravaged by pollution and climate change. However, she had to abandon her family in doing so. She hopes this final message to her sister will help her find some solace.

Unlike most stories of the kind, I felt the author made good use of the second person in this one. The whole thing is short enough to read like an extended monologue, almost in one breath. Overall, the story has a good sense of pacing. The author’s tendency to preach, which crept up almost every other paragraph, slightly diminishes the flow of the prose, though it is still an enjoyable, albeit too brief, read.

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REVIEW: "Midstrathe Exploding" by Andy Dudak

Review of Andy Dudak, “Midstrathe Exploding”, Analog Science Fiction and Fact March/April (2020): 101–105 (Kindle) – Purchase Here. Reviewed by John Atom. 

Contains spoilers. 

A bomb with unusual temporal effects has exploded in Midstrathe, and for the last 200 years, it has been slowly engulfing the city with its expanding wave-front. Everything caught within it slows down to an almost absolute stop. Ciaran, a 14 year-old orphan, works for a rogue organization that leads over-eager “tourists” near the wave-front. One day he has to escort one such tourist — an old woman — near the wave-front. When they arrive, the old woman surprises Ciaran by going past the safety line and entering the wave-front despite his warnings not to. This is against the rules, but Ciaran finds himself unable to stop her. She goes through the bubble, leaving Ciaran with no choice but to skip town.

“Midstrathe Exploding” has one of the most original science fiction premises that I’ve read in a while. Aside from the use of a “time-bomb” as an Armageddon device — a uniquely ingenious idea in itself — this story shows a fascinating view of how a society would adapt to such an unusual catastrophic event. Dudak’s evocative prose goes a long way into bringing the strange melancholy of his setting into life, even if his intentional vagueness makes the plot a bit hard to follow. There’s a lot to digest here, especially since the author uses a litany of new terms that can throw the reader off (click-chance, scrip, Dyads, temporal normalization, etc.). It is the kind of story that almost certainly requires a second reading, though not one that necessarily rewards it. While I thoroughly enjoyed the world that the author has created even upon multiple readings, I can easily see certain readers feeling disappointed at the rather lackluster plot. It would be interesting to see the author revisit the setting with a more expanded story.  

Overall, I recommend this story. Like much of science fiction, “Midstrathe Exploding” may not be for everyone, but it is worth a try, if only for its richly unique and inspired premise.

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REVIEW: "Expecting to Fly" by Edd Vick and Manny Frishberg

Review of Edd Vick and Manny Frishberg, “Expecting to Fly”, Analog Science Fiction and Fact March/April (2020): 94–100 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Yetsade is the sole survivor of a spaceship that crashed on an alien planet where the predominant species is a group of bird-like creatures that roam the high skies. Yetsade grows up fully ingrained into the natives’ culture, even though she’s painfully aware that her anatomical differences — the lack of wings — will never allow her to fly. Eventually, another human spaceship arrives on the planet and takes Yetsade back to humanity. With the eager help of her teacher, Rhonda, Yetsade is able to adapt quickly to a human life, though she struggles to consider herself as part of the species. Her heart will always be with her former family.

From a science fictional perspective, “Expecting to Fly” has a rather implausible premise. It is essentially a “Mowgli in space” kind of a story, except that its futuristic trappings somehow make it less palatable than Kipling’s classic. It’s simply inconceivable that a child would survive in such an alien environment, or that it would be allowed to return after such a short acclimation period. This makes it especially disappointing since it is an otherwise fine story. Through the perspective of a well-realized protagonist, the authors give an exquisite description of the planets native life and their harsh customs. It was bold and original. Even Yetsade’s solution at the end was clever despite the overall implausibility of the situation.

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REVIEW: "Camphor" by Mark W. Tiedemann

Review of Mark W. Tiedemann, “Camphor”, Analog Science Fiction and Fact March/April (2020): 84–93 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Remy serves as the representative of a large interstellar empire to a colony that’s been isolated from the rest of humanity for centuries. After three years on the post, Remy receives a visit from Havelock, another representative sent there to investigate — and if necessary, prevent — the potential spread of a deadly virus that originated from a non-native animal on the planet. Their investigation leads to a surprising revelation about the planet and its native population.

At a time when our own planet is on the verge of a viral epidemic, this story is bound to resonate quite strongly with anyone who’s been paying attention to the news. Even though the story’s conception is likely unrelated to COVID-19, it still manages to hit a nerve.

That said, this story is ultimately not about the epidemic. Rather, it is a slow-building mystery about the secret past of the planet and its inhabitants — and as far as the mystery is concerned, it is a rather weak one. There are several things that don’t quite add up and require a serious leap of faith on behalf of the reader. The explanation for the natives’ inoculation is hand-waved into the story, and so is the solution of the mystery. Moreover, I found the plot seriously lacking in any significant stakes or obstacles for the characters. Things more-or-less fall into place one after another, making for a less than compelling read.

There are things to appreciate in “Camphor,” but the overall plot makes for a weak mystery that does not hold up to its potential.

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REVIEW: "Guns Don’t Kill" by Richard A. Lovett

Review of Richard A. Lovett, “Guns Don’t Kill”, Analog Science Fiction and Fact January/February (2020): 159–163 (print) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

This piece contains three separate stories about “smartguns” — i.e. guns controlled by AI. In each case, the guns prevent their respective owners from doing something bad or stupid, like committing murder or killing deer when it’s not hunting season. Some terrible tragedies are successfully prevented.

There are a few things to like in Lovett’s story. Using AI as a solution to senseless gun violence is an clever idea — perhaps unrealistic for a real world implementation, but clever nevertheless. On the other hand, the plotting and characterization leave a lot to be desired. The first two vignettes were dull and forgetful, grossly overshadowed by the author’s obvious attempt at a message. The third vignette works a little better. The alternating points of view between Ethan and the cops went a long way into keeping the tensions high. I only wish the final twist (AI conversing with itself) was not there, as it accomplishes nothing but enforce an already heavy-handed message.

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REVIEW: "Birds of Feather" by Gregor Hartmann

Review of Gregor Hartmann, “Birds of Feather”, Analog Science Fiction and Fact January/February (2020): 152–158 (print) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Frank, a distinguished astrophysicist at the local Institute of Technology, has a developed a new kind of telescope that will revolutionize space exploration as we know it. The theory is sound, but there has not yet been any experimental verification of Frank’s ideas. Unfortunately, neither the Space Agency nor Frank’s own department will approve the deployment. With the aid of Rivo, his carefree brother, Frank must resort to more illicit means to get his revolutionary telescope up in space.

It’s always nice to read an author who has a distinct and recognizable voice. Hartmann certain fits the profile. His sense of humor and casual-yet-precise style of narration stands out in most of his stories, including this one. In “Birds of Feather”, the plot has a few moments that are a bit hard to swallow and seriously test the readers’ willing suspension of disbelief. For example, the obstacles placed in the way of Frank’s research are not particularly believable — and neither is his extreme reaction to them. However, as the story focuses mainly on the relationship between Frank and his brother, I find the aforementioned flaws rather easy to forgive. Especially since the main characters are so well realized.

Overall, it’s an enjoyable story even though it’s not one of the author’s most memorable.

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REVIEW: “Around a World in Ninety-Six Hours” by Wendy Nikel

Review of Wendy Nikel, “Around a World in Ninety-Six Hours”, Analog Science Fiction and Fact January/February (2020): 145–151 (print) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Polly Wynne is on a scientific mission on Venus, while her brother, Casper Wynne, is on a similar mission millions of miles away on Mars. Fueled by a healthy dose of sibling rivalry, the two place a friendly wager: whoever can complete a full revolution around their respective planets the fastest wins a free dinner. While the first 24 hours look very promising for both parties, the excitement does not last long. A violent wind storm knocks Casper’s communications out and leaves Polly uncertain of his fate. Polly must now use every tool in her arsenal to figure out a way to help her brother.

The story was more or less a middle-of-the-road piece for me: an interesting premise (e.g. flying airship on Venus) brought down by a not so interesting execution. The author structures the plot cleverly enough to maintain a well-balanced thread of suspense throughout the story, keeping the stakes high until the very end. On the other hand, I found the prose clunky and filled with unnecessary exposition. I can’t help but think that another round of editing would have benefited this story greatly.

Lastly, I’ve never been one to nitpick the science in science fiction, but there are a few things here that might make the reader raise an eyebrow or two. For instance, why did the Mars rover have to resort to Morse code to send its distress signal? If the mic was broken, couldn’t they have send a written message? Or shouldn’t the rover have a dedicated — and separately powered  — SOS system? The use of Morse code instead does not seem sufficiently justified.

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REVIEW: “One Lost Space Suit Way” by A. J. Ward

Review of A. J. Ward, “One Lost Space Suit Way”, Analog Science Fiction and Fact January/February (2020): 138–144 (print) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

This is the story of a self-aware space suits that journeys through a strange and surreal future for over one-hundred years. It goes on to witness the worst of history as humanity tries to make a life in a hostile new world. More than a hundred years later, with what is left of its energy and working parts, the space suit returns to the farm it escaped from and writes down its life’s story.

I really liked the premise of a self-aware “smart” space-suit along with the author’s surreal — almost like a fable — tone of the story, but unfortunately not much else appealed to me. For the most part, the story consisted of large chunks of dispassionate prose describing a rather vague and generic dystopia. I did appreciate some of the quirks the author imbued on the space suit — like the hoarding of forest animals — but at the same time it felt as though it was only a small part of a larger, incomplete metaphor that went nowhere.

Overall, I found it a dull read. However, the premise is original enough that I look forward to reading the author’s future publications.

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REVIEW: “All the Turns of the Earth” by Matthew Claxton

Review of Matthew Claxton, “All the Turns of the Earth”, Analog Science Fiction and Fact January/February (2020): 132–137 (print) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Narrated in the second person, this story features a  young child mysteriously catapulted into prehistoric times.  There, the child finds the abandoned egg of pterosaur and raises it into adulthood. The two forge a strong relationship with each other, but before long, the child falls back into the present day. She grows up grows up wondering if she’ll ever see the pterosaur again.

First, I must confess a personal bias: I don’t really like stories told in the second person. More than often I find second person stories contrived and gimmicky, adding little or nothing to the core of the narrative. That said, Claxton manages to avoid the usual distractions of second person, creating a rather engaging little yarn. The prose is elegant and poetic, and even though at times it verges on the “purple,” it goes a long way at making the scenery come alive. I particularly enjoyed the description of the transition from the past, back to the present:

You stumble, and skin your soft hands on the asphalt.

The story might feel a bit out-of-place to regular readers of Analog, as it belongs more in the realm of fantasy or magical realism than anything remotely resembling hard SF (Analog’s usual cup of tea), but I nevertheless enjoyed it while it was there.

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REVIEW: “The Greatest Day” by Eric Choi

Review of Eric Choi, “The Greatest Day”, Analog Science Fiction and Fact January/February (2020): 92–103 – Purchase Here. Reviewed by John Atom.

Contains spoilers.

In this story, Eric Choi imagines an alternate past where the damage that brought down the space shuttle Columbia does not go undetected, but is instead caught on time by an eager and highly motivated ground crew. Once they confirm the damage on Columbia’s left wing, ground control works diligently to plan a suitable rescue mission to bring the ship’s crew safely back home.

“The Greatest Day” offers little in the way of originality, but it is nevertheless a well-written tale full of suspense, excitement, and bureaucratic tension — as well as tons of delicious detail regarding NASA’s internal operations. The author does a great job at keeping a crisp pace so that the plot does not get bogged down in technical minutiae (of which there are plenty). The simple and straightforward prose, organized by dates and locations, adds greatly to the realism of the piece, which at times reads like a governmental report. All in all, an entertaining read.

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