Review of Stefan Alcalá Slater, “The Things You Bought for the Robot,” Flash Fiction Online 144 (September 2025): 30-33 — Purchase here. Reviewed by Sara L. Uckelman.
What makes a person a person? What makes a robot a person? With all the philosophy I’ve studied and taught, I’ve never found a better answer than that there is nothing more to being a person than being treated as one — an answer that works for humans or robots, and an answer that is worked out in this satisfying little story.
Review of Beth Goder, “Emerald Gears,” Flash Fiction Online 144 (September 2025): 26-29 — Purchase here. Reviewed by Sara L. Uckelman.
This was little more than a series of linked scenes, not quite a story, but they were pretty little scenes, and I love it when I read something which is clearly a fantasy story even when the setting is SF-coded. I also enjoyed the very goblin-market-esque feeling the piece had.
Review of Wen Wen Yang, “Out of Print,” Flash Fiction Online 144 (September 2025): 22-25 — Purchase here. Reviewed by Sara L. Uckelman.
Writers often speak of their characters as if they have a life of their own. This story was a gripping and touching take on that premise.
(First published in Apex, May 2024.)
Review of Leo Rein, “Yet Another Unforgettable Luncheon,” Flash Fiction Online 144 (September 2025): 18-21 — Purchase here. Reviewed by Sara L. Uckelman.
This story is like what would happen if you took an entire season’s worth of “Murder, She Wrote” episodes and crammed them into a 20 minute show: Completely frenetic, but rather hilarious.
Review of Guan Un, “The Last Items of the Forgotten Hero, or the Grandchild’s First Dragon,” Flash Fiction Online 144 (September 2025): 13-16 — Purchase here. Reviewed by Sara L. Uckelman.
Awww, this was one of the sweetest, most adorable little stories that I’ve read in a long time. If you need something beautiful to make you feel a bit better about the world, read this.
(First published in Worlds of Possibility, 2023).
Review of Nadia Radovich, “Silence, in the Doorway, With the Gun,” Flash Fiction Online 144 (September 2025): 7-12 — Purchase here. Reviewed by Sara L. Uckelman.
As a medievalist, I thought that the most exciting thing about this story, for me, was going to be finding out that the Roman de Silence mentioned in the opening paragraph is real. The roman itself is so fascinating that I figured it would be a hard ask for Radovich’s story to be more intriguing than the real thing.
Well, I shouldn’t have been so pessimistic. The story about the story was great.
Review of Eleanor Lennox, “The Color of Things,” Flash Fiction Online 143 (August 2025): 26-29 — Purchase here. Reviewed by Sara L. Uckelman.
There isn’t anything particularly speculative about this story (as happens occasionally with FFO), but that’s okay, I still enjoyed it. I love it when a story has a certain line that just jumps out at you, when you know exactly what the author means with it. When I read “She only knew she couldn’t bear to hurt Craig. She was a Midwesterner…” (p. 27) I went, ohhhhhh, yeahhhhh, I know exactly what Laura is feeling.
Review of Stephen Granade, “Dislocated,” Flash Fiction Online 143 (August 2025): 23-25 — Purchase here. Reviewed by Sara L. Uckelman.
There was a very hopeful thread in this story, a thread entwined about the fact that even in the depths of awfulness humanity still knows how to band together in the form of support groups — whether it’s groups like AA in the real world or Nicola’s teleportation sickness support ground in Granade’s story — which left me feeling quite comforted, actually, considering how objectively depressing the story was. (The extremely delightful ending didn’t hurt, that’s for sure.)
Review of Lauren Kardos, “The Body Electric,” Flash Fiction Online 143 (August 2025): 20-22 — Purchase here. Reviewed by Sara L. Uckelman.
This was a sad, depressing love story.
Review of Angela James, “I Was Made For Loving You,” Flash Fiction Online 143 (August 2025): 16-19 — Purchase here. Reviewed by Sara L. Uckelman.
This was a very strange story — made even more strange for me because I didn’t know who Gene Simmons was, and for about two pages confused him with Richard Simmons before I stopped to look him up on wikipedia.
That being said, I’m not sure the story would’ve been all that much less strange if I had known who he was from the start!
SFF Reviews