Review of Fumio Takano, Sharni Wilson (trans.), “The Secret,” khōréō 4, no. 4 (2025) — Read online. Reviewed by Sara L. Uckelman.
Roughly a hundred years into the future, the division between the haves and the have-nots has become even further entrenched; this story is the story of two “have-nots” on opposite sides of a century who have each ended up making a living for themselves in an unexpected way. What connects them is the Mistress, who holds an unexpected secret.
Review of Christos Callow Jr., “The Trauma Tourist,” khōréō 4, no. 4 (2025) — Read online. Reviewed by Sara L. Uckelman.
Content note: Suicide, torture simulation, cultural appropriation.
The capitalist idea of turning trauma into a source of income isn’t one that feels very far-fetched at all, though I confess to wondering a bit about the psyche of the people who would actively choose to consume such a product. But that’s precisely why it makes such a great idea for a story!
Review of S.L. Harris, “The Harrowing of Hell (Third Circle, Sausage Counter, Contracts Office),” Flash Fiction Online 142 (July 2025): 27-30 — Purchase here. Reviewed by Sara L. Uckelman.
Anyone who has their own story about “terrible summer employment,” this story is for you! Even if you don’t have such a story, read this one anyway, you’ll get some laughs out of it, and we can all use those.
Review of Deanna J. Valdez, “My Flesh, My Beating Heart, A Willing Meal That Refuses to Remember the Dangers of Being Eaten,” Flash Fiction Online 142 (July 2025): 23-26 — Purchase here. Reviewed by Sara L. Uckelman.
Content note: Violence against women.
I’ve read a lot of stories that take the “monster on my back” metaphor literally — some of them are enormously effective and I love how they can be so straightforward without being trite. Unfortunately, this one isn’t quite one of them.
Review of Kel Coleman, “The Sacred, the Sacrificial,” Flash Fiction Online 142 (July 2025): 20-21 — Purchase here. Reviewed by Sara L. Uckelman.
This was an interesting story, but I feel like it was written for a reader who isn’t me.
(First published in Pipe Wrench, 2021.)
Review of Emlyn Meredith Dorneman, “To Ashes,” Flash Fiction Online 142 (July 2025): 16-19 — Purchase here. Reviewed by Sara L. Uckelman.
I loved the way that Dorneman’s use of language felt like an assault on the senses, replicating in my reading the story the same experiences of the characters within the story. It all felt a bit overwhelming, and strange, and increasingly horrifying.
Review of Jason Pearce, “A Concise History of the Goldfish Trade,” Flash Fiction Online 142 (July 2025): 12-14 — Purchase here. Reviewed by Sara L. Uckelman.
There’s something about this story that feels very much like the type of fairy tale where a gullible young boy trades away his wealth for a myth. Two things made it more than that — Pearce’s setting amonst his ancestral Mi’kmaw, and the fact that the gullible young boy turns the tables at the end.
Review of Jacob Baugher, “Recitations,” Flash Fiction Online 142 (July 2025): 8-11 — Purchase here. Reviewed by Sara L. Uckelman.
Sometimes all an author has to do to win me over is provide me with one great phrase. As soon as I read “as if thoughts and prayers were an actual sacrifice” (p. 9), I knew that Baugher could do practically nothing to ruin his story for me. But even without this masterful piece of wordcraft, I’d’ve still enjoyed this beautifully imagined story.
Review of L Chan, “And The Planet Loved Him”, Clarkesworld Issue 227, August (2025): Read Online. Reviewed by Myra Naik.
So lovely; so heartbreaking.
There are many different kinds of family and relationships, but feelings of love and yearning are a universal experience.
Whether you’re human or not.
Review of Zeke Jarvis, “Skinfluencer,” Flash Fiction Online 141 (June 2025): 27-29 — Purchase here. Reviewed by Sara L. Uckelman.
Content note: Body modification / possible body horror.
Sometimes speculative fiction is incredibly realistic: This story certainly couldn’t happen today, but reading it I feel like this could easily happen in 5-10 years’ time.
(First published in Backchannels 2023.)
SFF Reviews