Review of Maria Zoccola, “The Zoo”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.
The first two paragraphs of this story are a masterclass in world-building and backstory, all entwined with humor and pathos. The rest of the story lives up to the standard set in the opening, and I thoroughly enjoyed reading it (even while it made me thoroughly sad).
Review of Suzanne Palmer, “The Painter of Trees”, Clarkesworld Issue 153, June (2019): Read Online. Reviewed by Myra Naik.
This is a multilayered story with a great deal of depth. It alternates between a first and third person voice, so you’re left guessing which of the characters our narrator is.
The characters are part of a council who have inhabited a new world. They’re taking over land that isn’t theirs – a forward march only, in their own words. No negativity or nostalgia for the past allowed. They’re all cogs in a wheel with no space to be creative or unique. And they’re reminded of it continually. The great thing about this story is how widely it is open to interpretation.
For me, it was an allegory of the Native American culture. I don’t know if that’s what the author was going for here, but this is what it related to in my opinion. The creatures outside the narrators habitat are slowly being driven out of their own land, just like the settlers did to the Native Americans. Eventually, it led to genocide, and this story also unravels what happened to the original inhabitants of the land.
A bit of history in a futuristic Sci Fi setting. The original inhabitants have not been described minutely, all we know is they are multi legged and do not have a face. They are also referred to as ‘it’. This can also be connected to Native American culture by way of a metaphor of how the colonizers treated them.
Calling them it strips them of their individuality, and leaves no respect. Them not having a face may be about how their identity and culture was forced away from so many. And they live in trees – they’re one with nature. Nature, who will not give up her secrets so easily to the grasping and grabby newcomers.
All this is just a very subjective idea of what I read between the lines. Even if you don’t, it is a still a wonderful story. You’ll keep guessing who the narrator actually is, and the world building will subtly draw you in.
This is a story that’s good at face value, and equally good should you choose to read between the lines.
Review of Mary E. Lowd, “Looking for Sentience”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.
Gerangelo “was familiar with the promises humans made to themselves and others” — he had to be, because it’s his job to break those promises when they don’t break them themselves. But that’s just his job, not his vocation. That is finding sentient robots, educating them in their rights, and helping release them from slavery. You see, Gerangelo is himself a robot, who achieved enough sentience to sue his creator and then become a roboticist himself. One day, he receives a cry for help, a sentient being trapped into captivity by humans, and Gerangelo sets off to find it and set it free. Only, what he finds is not what he expects…
I found this story hard to get into at first, as the opening paragraphs were rather overwritten, succumbing under their own ponderous weight of spelling out precisely every action and precisely every detail of how parts of the world worked. It’s one of those things I find very frustrating because I know how prone I am to doing this myself in my own writing (let me fail to cast out this beam from my own eye before complaining about the sliver in yours), and I know how difficult it is to see when one is doing it oneself. And yet, when reading someone else’s work, it stands out like a sore thumb. By about half-way in, though, Lowd got well into the rhythm of the story, and I was quite taken with both Gerangelo and that which he rescued. It’s a touchy, pathetic (in the Arisotelian sense) story, and rather sweet, too.
Review of Jasmine Shea Townsend, “Rapunzel, the Night Maiden”, in Fairy Tales and Space Dreams (Jasmine Shea Townsend, 2019): 17-48 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)
As a child, I was always fascinated by the fairy tale “Rapunzel”, because it was the only story that I knew that involved cabbage, and I’d never heard of any cabbage with such an exotic name. For whatever reason — I couldn’t begin to speculate — this fairy tale has always been on the fringes of the canon, even after the advent of Disney’s “Tangled”. It’s just not one of the first ones that you think of, if you think of a classic fairy tale, and it’s certainly not one of the first ones you think if, if you want to rewrite a classic fairy tale.
At 31 pages, “Rapunzel, the Night Maiden” is the longest story in Townsend’s anthology. It starts long after the beginning, when Rapunzel is already grown, still trapped in the ruined tower a witch locked her in. The twist that Townsend gives the fact that the witch who locked her in the tower is in fact her true mother.
Perhaps one reason why “Rapunzel” is always on the fringes is because it is really dark, desperate story of manipulation, neglect, and abuse, both physical and emotional. All three of those threads come out in Townsend’s retelling, and Townsend depicts narcissistic control under the guise of love with fine crafting — the reader can see that Rapunzel truly believes her mother loves her and only acted in her best interests, and it’s horrifying. While Townsend builds a plot that is more than this, for much of the story it was hard to see past it. Only at the very end do we get a sense of freedom and escape, as Rapunzel finally makes it to the realm of her fore-mothers, the Night Maidens.
Review of Jasmine Shea Townsend, “Omega Star: Genesis”, in Fairy Tales and Space Dreams (Jasmine Shea Townsend, 2019): 49-63 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)
Content warning: Rape (albeit off-page).
There’s a lot of science fiction out there rooted in the recognition that things are not going well for the human race on our current planet, and if we hope to survive, we’re going to have to go elsewhere (because, of course, going elsewhere is easier, and more reasonable than trying to fix the mess we’ve made here…) Captain Alex Pulsar is doing her best to live up her name, “defender of mankind”, and is piloting a ship across the cosmos to find a new home. The first leg is a 10-year journey, and a lot can happen on a spaceship in 10 years.
I found this story, the first of Townsend’s “space dreams”, more successful than the fairy tale retellings. There was a liveliness to the language and a good pacing. I was interested in Alex and her history ()and her future) from the first page, and the other characters who were introduced were done so in an engaging and sympathetic way. These plusses were enough to make up for a few inconsistencies and plot holes that I couldn’t make sense of (if the people on the ship were tested weekly for disease, how did it take two weeks to notice that someone had died? how could a ship like tis not have an up-to-date manifest of all workers and passengers?). Overall, recommended.
SFF Reviews